A new studio album of songs written, recorded and produced by visionary musician and artist BRIAN ENO � featuring his vocals on 8 of the 10 recordings.

FOREVERANDEVERNOMORE is Eno�s first studio album in six years and features appearances from longstanding collaborators Leo Abrahams, Roger Eno and Peter Chilvers, alongside Cecily Eno, Clodagh Simonds, Darla Eno and Jon Hopkins.

The album includes studio recordings of �There Were Bells� and �Garden Of Stars,� compositions that Eno penned to perform as part of his first live performance in 11 years at the Acropolis back in August 2021, it also includes �Making Gardens Out Of Silence� that features as part of the ongoing Serpentine interdisciplinary program, BACK TO EARTH.

Tyondai Braxton releases Telekinesis�an eighty-seven-piece work for electric guitars, orchestra, choir and electronics�on November 11, 2022, via New Amsterdam and Nonesuch Records. Featuring the Metropolis Ensemble conducted by Andrew Cyr, the Brooklyn Youth Chorus conducted by Dianne Berkun Menaker, and chamber choir The Crossing conducted by Donald Nally, Telekinesis is the first studio recording of the work.

Telekinesis is the result of a co-commission by the Southbank Centre London and Musica Nova, Helsinki Festival. The world premiere took place on April 18, 2018 at Queen Elizabeth Hall with the BBC Concert Orchestra and BBC Singers, followed by a performance at Helsinki Festival by the Finnish Radio Symphony Orchestra. Andre de Ridder conducted both performances.

Paradise Again came together in the wake of rediscovering Swedish House Mafia's musical synergy on the band's 2019 reunion tour, spending countless hours in the studio, exorcizing new sonic palettes, textures, and tones from an arsenal of analog synths. It represents an ambitious broadening of their musical scope, as evinced by the wide-ranging roster of collaborators and guests, including The Weeknd, A$AP Rocky, Sting, Ty Dolla $ign, 070 Shake and many more.

The Chemical Brothers share a re-issue of breakthrough second album 'Dig Your Own Hole'. Originally released in�1997, the record blended house and techno with aspects of hip-hop production, psychedelia, and more, a visionary�sonic brew that still resonates today.

William Orbit returns with his first new album in over eight years. Entitled �The Painter��it is�unmistakeably�William Orbit�and features vocal�collaborations�from an array of artists including�Katie Melua,�Beth Orton,�Georgia, Polly Scattergood,�Ali Love�and more.

AREA21 are two alien travelers tripping through the cosmos spreading a message of unity and good vibes. After�hitting a satellite they came crashing to earth... and that�s where the real journey begins. Join their mission and let�yourself be immersed in the world of AREA21. Indie Exclusive Purple LP.

Vinyl LP pressing. Includes digital download.

For a duo whose youthful energy rejuvenated the world of house music at the start of the 2010s, it seems incredible that Disclosure are now into their second decade of musical life. The incredible vigour of those early records, the spark of invention and ever-onward musical thrust, remains with the Disclosure brothers, Howard and Guy Lawrence, to this day.

The emphasis throughout DJ-Kicks is on motion. After a brief ambient introduction from P�pe's Life Signs, Disclosure keep the energy high, in a mix that showcases the wonderful malleability of a house beat in the right hands. From sub bass to disco samples, African funk to 303 tweak, all is welcome in Disclosure's house, with the mix allowing individual songs space to breath even as the pace remains harefooted.

Information Society's breakout single from this album, released in 1988, was "What's on Your Mind (Pure Energy)", a synth-pop song, which spent 39 weeks on the dance chart, going straight to number one and also peaked at number three on the Hot 100 pop chart. The track included a vocal sample of Mr. Spock (Leonard Nimoy) from Star Trek, saying "pure energy". The album which was certified gold, also contained the tracks "Walking Away" and "Running", which was initially released in 1985 and reached #2 on the Dance/Club Airplay charts and became an enduring classic of the Freestyle genre.

An expanded reissue of the classic Wax Trax collection, featuring 9 bonus tracks covering the complete early '80s output from Ministry on Wax Trax, including B-sides and unreleased tracks! This edition features 2 bonus tracks - a never-before-head track plus an alternate version of Same Old Madness!" the previously unreleased track "Same Old Madness!"

Delve into the dark side of the occult with this special collection of tracks featuring the the voice of the Beast himself, famed occultist Aleister Crowley! All new remixes feature the production talents of witch house artists Ritualz and ?aimon plus dark synth act NeoSlave, Alan Davey's Hawkestrel, internationally renowned instrumentalist Jozef Van Wissem, and lots more! Also features all-new sonically de-noised and remastered versions of the famous wax cylinder recordings Crowley made from 1910 to 1914! Now available in deluxe RED MARBLE vinyl!

A superb collection of rare early tracks from electronic pioneers Tangerine Dream!Features 2 tracks from the '60s psych-rock band that preceded Tangerine Dream, The Ones, plus rare tracks from the early '70s era of the band when they were at their most adventurous, composing epic pieces that clocked in at over 10 minutes each such as "Asteroid Agenda" and "Overture!"CD jewel case with special metallic silver o-card!

Limited 180gm gold colored vinyl LP pressing.�

Trance pioneer BT has released his 14th studio album, Metaversal.

Daft Punk - Discovery - Discovery is the second studio album by French electronic music duo Daft Punk, originally released 2001.

Anamanaguchi's driving & dynamic debut EP, recorded while the band was still in high school. First released on the legendary chip music netlabel, 8bitpeoples, these are the seeds of the band's hyper-melodic, digital powerpop flavor - "It is recommended that you sing along with the squarewaves."

The Third Chimpanzee is the brand new EP from Martin Gore, one of the founding members and primary songwriter of Depeche Mode. Over five brand new tracks Gore explores euphoric modular sounds and develops his career long relationship with electronic music. The EP follows his eponymous album MG in 2015 and SSSS, his collaboration with Erasure's Vince Clarke for their VCMG project. The artwork was created by Pockets Warhol, a capuchin monkey based in Canada who paints for charity. Martin Gore was inducted into The Rock & Roll Hall of Fame as a member of Depeche Mode in 2020.

The desire for change stirs from the inside. We either listen to it-or not. Aluna chose to listen. After widespread critical acclaim as one-half of multi-platinum duo AlunaGeorge, the singer, songwriter, and producer established an unpredictable and undeniable signature sound on her 2020 solo debut, Renaissance.

BRONSON, the brand new group by ODESZA and Golden Features, unveils their debut self-titled album on Foreign Family Collective / Ninja Tune. BRONSON is available on clear LP, limited edition black and yellow LP, and CD. GRAMMY-nominated duo ODESZA and acclaimed Australian producer Golden Features have come together to form the powerhouse group BRONSON. The self-titled album BRONSON pushes the soundscapes of their previous projects to explore the darker edges of dance music. The LP features heavyweight collaborations from lau.ra of Ultraista, Gallant, and Totally Enormous Extinct Dinosaurs. The BRONSON album reflects on their respective needs to challenge personal struggles, both internal and external. Moreover, the trio recognized that their own battles were merely microcosms of the surrounding world. The hope was to craft a body of work that was reflective of that duality of lightness and darkness inherent to the human condition.

This is the new Four Tet album on double vinyl format. Pressed on 100% virgin black vinyl at RTI, packaged in a Stoughton full-color old-style tip-on gatefold jacket.

Thievery Corporation's historic concert in 2017 at The JFK Center in Washington, D.C saw their songs re-imagined with orchestral arrangements from some of today's leading young classical composers. The show is now legendary, and those fortunate to attend heard Thievery Corporation in an entirely new way. To honor this show and inspiration it provided, Hilton and Garza have created Symphonik - recorded with Prague's FILMHarmonic Orchestra; engineering and co-production by Gianmaria Conti.

In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.

When Poli�a's Channy Leaneagh fell off her roof while clearing ice in early 2018, she smashed her L1 vertebrae and battered her spine, leaving her in a brace with limited mobility for months. Yet Poli�a's fourth album, When We Stay Alive, is not about one debilitating accident. It's about the redemptive power of rewriting your story in order to heal, and reclaiming your identity as a result. When We Stay Alive possesses a new confidence in its sound, reflected in its fierce, determined songs and anchored by the heavy synths and punctuating beats of Poli�a co-founder and producer Ryan Olson. Over the last several years Olson and Leaneagh have widely collaborated with musicians from all over the world: both with Bon Iver, and Leaneagh individually with Boys Noize, Lane 8, Sasha, Leftfield, and Daniel Wohl; Olson with Swamp Dogg in addition to countless musicians from the Aaron Dessner and Justin Vernon's 37d03d collective. As a result, When We Stay Alive features one of the largest musical casts of any Poli�a record to date. To create the album, Olson brought his favorite collaborators into his studio for all-night sessions. He'd then send Leaneagh the files to write lyrics to while recovering at home, which she'd record alone or with engineer Alex Proctor. Drummers Drew Christopherson and Ben Ivascu colored the songs with a new approach ' drastically changing the rhythmic dynamic from previous efforts by creating an indistinguishable hybrid of live and electronic instrumentation--and bassist Chris Bierden provided a melody-laden low-end as well as more layered backing vocals than ever before. On Poli�a's first three albums, Leaneagh focused on restructuring the world and her relationships within it. On When We Stay Alive, she realizes the power in restructuring her inner self. The album's title references the idea of moving forward through life ' our experiences, both good and bad ' and what happens next with the strength we find. 'I had been living unconsciously in past trauma,' Leaneagh says. 'I don't want to deny something happened ' this is not about repression ' it's about taking the power back from the past, holding the power in the present, and creating a new story for myself.'

Towards the end of 2013 Jungle burst onto the scene with their first two singles: �The Heat� and �Platoon.� Appearing out of nowhere and propelled by feverish word of mouth online and IRL, Jungle would transform over the next few years from an anonymous production duo to a kaleidoscopic, personality-filled seven piece live band built around the core duo of Josh Lloyd-Watson and Tom McFarland, whose debut album (2014�s self-titled Jungle) was one of the year�s defining debut records; one that would end up nominated for the UK�s Mercury Music Prize and go on to sell over half a million copies. Jungle have now returned with their forthcoming second album FOR EVER which was recorded in London and Los Angeles; Josh and Tom describe it as �a post-apocalyptic radio station playing break up songs.� If Jungle�s first album was their imaginary soundtrack to the places they had never been, their new record captures the landscapes they had so often dreamed of. To write and record the new album, J and T swapped Shepherds Bush for the Hollywood Hills. Their romanticization of The California Dream clashed with the reality of living it�although the experience led them back home to London to finish the album, the journey itself ultimately defining the music it produced. Including singles �Happy Man� and �House In LA,� Jungles� FOR EVER is due out this September. SELLING POINTS Headline touring this fall and in early 2018 Extensive major festival dates this summer and fall 120,000 equivalent album units in the US, 50M streams Full commercial Alt and AAA radio in full swing for first single �Happy Man� Three more band-directed music videos to come pre-release Massive marketing and editorial support confirmed from all digital retailers Global release week events for fans Late night TV in Sept right around release

Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work � one that uses spontaneity as a spur for creativity.

The Bloody Beetroots and Sir Bob Cornelius Rifo�s discography features a string of successful EPs and two full length albums (2009�s Roborama and 2013�s Hide)�including collaborations with Sir Paul McCartney, Tommy Lee, Steve Aoki, Peter Frampton and many more. Clubs, theaters and festivals around the world have thrilled to different incarnations of The Bloody Beetroots� incendiary live show. Form Coachella to Lollapalooza to Governor�s Ball to Big Day Out, The Bloody Beetroots Live have entertained millions across 6 continents. But he doesn�t just want to entertain audiences; he strives to engage and challenge them, emotionally and intellectually. And he�s increasing articulate in his pursuit of that goal. For his new album, The Bloody Beetroots is working closely with myriad artists, including Perry Farrell of Janes Addiction, Jay Buchanan of Rival Sons, Wade McNeil from Gallows, San Diego Cholo Goth duo Prayers, Deap Valley, Australian singer Nic Cester and Jet, and many more. The audience has been hearing Bob�s music in campaigns by BMW, Fiat, YSL, Lancome and media like CSI, Vice, Star Trek, Entourage, Teen Wolf, Hawaii Five-O, Need for Speed, Moto GP and many others.

Segmented Tri-Color vinyl – Blue/Red/Yellow/Red
Exclusive back cover design by We Buy Yours Kids
Exclusive fold-out poster photographed by Jamie Wdziekonski
Includes lossless digital download of King Gizzard live @ Webster Hall, NYC 3.31.17. Mixed by Stu Mackenzie
English lyrics insert

Vinyl LP pressing. Everything Was Beautiful, and Nothing Hurt is a glowing tapestry exploring spirituality, individuality and the brokenness of humanity and finds Moby returning to his orchestral, soul, trip-hop and gospel roots. Featuring LA-based soulstress Raquel Rodriguez, lead single "Like a Motherless Child" is a re-work of the well-known spiritual with origins in the slavery of the American South. The track describes the void left when one feels separated from a parent, higher power or similar guiding force. Over the years this powerful song has been reinterpreted by the likes of Odetta, Lena Horne, Mahalia Jackson and Van Morrison. Moby also curated a playlist of artists that influenced the recording of his fifteenth studio album which includes Baby Huey, Marianne Faithfull, Grace Jones, Soul Makossa, Mulatu Astatke, Liquid Liquid, Fresh Four, Sly And Robbie, Simple Minds, James Brown, Talking Heads and Gil Scott-Heron.

Music For The Long Emergency is the collaborative album from Minneapolis-based electronic quintet POLIÇA and European orchestral collective s t a r g a z e. The two bands met for the first time in Berlin in 2016, and while the collaboration started in the same room, the process continued as an 18-month long ''ping pong'' match as the bands exchanged ideas and music over email, mp3 files, video conferencing, and the occasional meet-up in Berlin, Minneapolis, and Eau Claire. Both bands were adamant that whatever they created ''not just be POLIÇA songs with s t a r g a z e pasted on top,'' as POLIÇA vocalist Channy Leaneagh puts it, and the end result is the most adventurous and forward-thinking music either group has made to date.

Original soundtrack to the Netflix series. A love letter to the '80s classics that captivated a generation, Stranger Things is set in 1983 Indiana, where a young boy vanishes into thin air. As friends, family and local police search for answers, they are drawn into an extraordinary mystery involving top-secret government experiments, terrifying supernatural forces and one very strange little girl. Volume 2 features completely different music from Vol. 1, and is the second half of the full Stranger Things soundtrack. This installment continues to wander through the 80's world of Stranger Things, floating between the sweeter moments which temporarily blossom amidst the danger and decay as the season comes to an end. The music is instantly reminiscent of works by John Carpenter, Tangerine Dream and Vangelis, whilst also delving into the ambience of Aphex Twin and more modern composers such as Cliff Martinez.

New Order have announced a new live album, NOMC15, recorded at Brixton Academy in 2015 following the release of their most recent studio LP (and Mute debut) "Music Complete". It features a set consisting of tracks from the new album, as well as cuts from their back catalog and songs by Joy Division.

Vault is a collection of rare, previously unreleased songs that up until now have never been heard by anyone except STRFKR. The band only exists today because of these recordings. Some of these songs were written for STRFKR albums, some were written before or in-between, but they all played a role and influenced what was released under that name.

‘Utopia’ is the ninth studio album from the iconic artist Björk, out November 24th via One Little Indian Records. The album's artwork was created in collaboration of M/M, Jesse Kanda and James Merry and reflects the records sonic direction; optimism, lightness, utopia. The album is written by Björk with five of the 14 songs co-written by Arca and one of the songs co-written by Sarah Hopkins. All of the songs except one is coproduced by Arca. One of the songs is co-produced by Rabit. Björk formed a twelve piece Icelandic female flute orchestra, which she arranged for and conducted. She also wrote an arrangement for Hamrahlíðarkórinn, a choir conducted by Þorgerður Ingólfsdóttir. The album was edited and structured by Björk on Protools. It was engineered by Bergur Þórisson, Bart Migal and Chris Elms. It was mixed by Heba Kadry and Marta Salogni and mastered by Mandy Parnell. The album cover was created by Jesse Kanda, in collaboration with Björk, James Merry and makeup artist Hungry. The rest of the album artwork will feature new digital illuminations and typography from MM Paris. Of the album she explained to Dazed this Summer that, ““Maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, If we don’t have the dream, we’re just not gonna change. Especially now, this kind of dream is an emergency.

Is That Light You Carry? is the debut record from Third Culture Kings, a new project led by Jan Johansen (Glorybox) and Alap Momin (dälek). Filtering classic vibes through modern interpretation, 3CK reimagine The Velvet Underground or Leonard Cohen if they had been mixed by King Tubby and Afrika Bambaataa all the while incorporating influences as diverse as Indian drone, early 80’s synth pads and Miami booty bass. Still, it’s worth noting that there’s nothing about these recordings that’s rooted in the past: nearly every sound on the record - sans lead vocals and guitar - were created or recorded directly to an IPhone. Momin created the beats, bass and majority of synth lines on his device, while Johansen then recorded backing vocals, second guitar, vibraphone, piano, horns, rhodes, and melodica as voice memos that were eventually dropped on top of the finished tracks. 
 
There are few acts claiming to channel Vangelis and Suicide at the same time, and even fewer that also shout out their love of Doo Wop, UK Bass, and Chicago House in the same breath, but this international duo manage to strike all those notes and more. Veteran performers who’ve outlasted endless trends and toured the world for the better part of the last two decades, Third Culture Kings aren’t afraid to stretch the boundaries of style. The eclectic, yet cohesive group of songs in their live shows complement bills featuring everything from shoegaze to commercial R&B.

Kllo, an electronic pop collaboration between Melbourne cousins Chloe Kaul and Simon Lam, waded in figurative backwater for much of 2016, amidst an extensive world tour. These were exciting times; the duo's�Well Worn�EP furthered the promise of 2014 EP�Cusp, receiving millions of streams and landing Kllo on festival stages as well as Artists-to-Watch lists. Nonetheless, the stretch kept them far from home, isolated and vulnerable, treading through perpetual uncharted territory while yearning for the comforts of the familiar. Kllo have officially come out the other end of the stilted estuary with twelve compositions cultivated to feel timeless and crafted, and equally current. The duo�s debut full length - and their most realized work to date -�Backwater�celebrates the ephemeral and the enduring changes in emotion, the downfalls and the dissolves. It�s an album that parts course with its flow, and flourishes in a lowland.