Post Malone’s 4th studio album, Twelve Carat Toothache, is his most intimate and personal opus to date. Throughout the 14 tracks, Post takes us with him on his trials with fame, giving a glimpse into the irony of seemingly having it all, but feeling like nothing all at the same time. In an interview with Billboard, Post explained he wants the new songs to “speak more to how I’m feeling at the moment: the ups and downs and the disarray and the bipolar aspect of being an artist in the mainstream.”
On her sophomore album, S.G. Goodman brings a series of powerful vignettes to life, with a sound that builds off her Southern roots but ventures deeper into indie rock and punk. Teeth Marks is about what love actually is: its psychological and physical imprint, its light, and its darkness.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
Welcome 2 Club XIII, DBT’s 14th studio album, marks a sharp departure from the trenchant political commentary of their last three records.
A reckoning with the dualities of the things that make you alive and how they sometimes can kill you. A life affirming flashlight for the dark nights of one’s soul. The title track is a tongue in cheek homage to a local dive that founding members Cooley and Hood played in the early days. As they say in the song “Our glory days did kinda suck”.
James Brown had the Apollo. Jimi Hendrix had Monterey Pop. And Prince had Syracuse, New York’s Carrier Dome—the Purple Rain Tour performance that was beamed to millions live via satellite and captured for posterity in the Grammy Award-nominated concert film Prince and The Revolution: Live, and has since gone down in history as one of the most iconic live recordings in pop and rock history. Available on vinyl for the first time, this powerful performance by Prince and The Revolution has been entirely remixed from the original 2” multitrack master reels. The new version of Prince and The Revolution: Live will be available on 3 black LPs with a 16-page book with never-before-seen photos of the Purple Rain Tour and new liner notes.
From Orpheus to Icarus, depths to heights, and the thresholds in between. I’m interested in the moment when something becomes something else, when somewhere becomes somewhere else. That membrane that separates inside from outside. Retreating as we do in to the underlands , to molt our plumage, to exorcise our inside problems and emerge like newborn foals shaking, naked, squinting in the light. Don’t you know that I’m an irrepressible optimist working with a fatal flaw? The ghost that refuses to appear in the clock across the hall. You can set the table and call to her, but she decides when to visit. So, we imbue objects with crazy power to forget that we’ve been abandoned at a truck stop on the Ohio turnpike. To forget that we took a scouring pad to the places where art, music and community thrive. Promise to resist until you die and never fall apart again. - ANDREW BIRD • Produced by Mike Viola • Recorded at United Recording • Featuring musicians: Alan Hampton, Madison Cunningham, Abe Rounds, Jimbo Mathus, Mike Viola
"Fresh grief, like fresh love, has a way of sharpening our vision and bringing on painful clarifications. No matter how temporary we know these states to be, the vulnerability and transformation they demand can overpower the strongest among us.
Then there are the rare, fertile moments when both occur, when mourning and limerence heighten, complicate and explain each other; the songs that comprise Angel Olsen’s Big Time were forged in such a whiplash.
“I can’t say that I’m sorry / when I don’t feel so wrong anymore,” the record begins, her voice softer and more open than ever, as if she’s singing through a hard won smile. “All the Good Times”, a twangy banger with nods to JJ Cale, starts the album on a triumphant and bright note. The title song, “Big Time”, follows and continues the warm optimism. “Guess I had to be losin’ to get here on time,” she sings, a fearless love song co-written with her partner.
Big Time is an album about the expansive power of new love, but this brightness and optimism is tempered by a profound and layered sense of loss. During Olsen’s process of coming to terms with her queerness and confronting the traumas that had been keeping her from fully accepting herself, she felt it was time to come out to her parents, a hurdle she’d been avoiding for some time.
“Some experiences just make you feel as though you’re five years old, no matter how wise or adult you think you are,” she writes of that time. After that tearful but relieving conversation, she celebrated with her partner, their friends, oysters, and wine. “Finally, at the ripe age of 34, I was free to be me.”
Three days later, her father died; his funeral became the occasion for Olsen to introduce her partner to her family. Though she was fearful their presence as a newly out queer couple would be “an additional symbol of loss,” those days went peacefully, yet only two weeks later Olsen got the call that her mother was in the ER. Hospice came soon after, and a second funeral came quickly on the heels of the first. Another trip back to St. Louis, another grief to face, another deepening and intensification of this still-new love.
The shards of this grief—the shortening of her chance to finally be seen more fully by her parents—are scattered throughout the album. “It’s a hard time again,” she sings on “This is How It Works”, pushing against the irrevocability of death, “Tell me a story that will make me forget.” “Go Home”, which begins with an almost numbed calm, slowly builds up to a wailing that comes up straight from the ground: “I want to go home, go back to small things. I don’t belong here. Nobody knows me.”
“You can’t plan grief, you can’t organize it or schedule it or know how you’ll feel when it comes. It just happens, and when it does sometimes it’s not what you thought it would be.” Three weeks after her mother’s funeral she was in the studio, recording this incredibly wise and tender new album.
Loss has long been a subject of Olsen’s elegiac songs, but few can write elegies with quite the reckless energy as she. If that bursting-at-the-seams, running downhill energy has come to seem intractable to her work, this album proves Olsen is now writing from a more rooted place of clarity. She’s working with an elastic, expansive mastery of her voice—both sonically and artistically. These are songs not just about transformational mourning, but of finding freedom and joy in the privations as they come.
Playful bits of Tammy Wynette and Kitty Wells are here, too, but so are the complex orchestrations of her genre-bending 2019 record, All Mirrors. While that record was full of dramatic shifts and twists, here the surprises come in their simplicity—a slow swell of strings, instrumentation that cycles like a storm, or sparkling horns in a light-flooded break-up ballad.
While the spritely nature of her last EP, Aisles, may have signaled Olsen’s turn deeper into the electronic direction of her last All Mirrors, there’s hardly a synth in sight here. Jonathan Wilson, served as co-producer and also mixed the tracks, while Drew Erickson played piano, organ, and scored the string arrangements. Emily Elhaj, Olsen’s longtime bandmate, was a consistent collaborator as well, on the bass throughout.
“And I can’t fit into the past that you’re used to, I refuse to,” she sings as a wraithlike piano scaffolds her hopeful voice on “Ghost On”. “Forget the old dreams,” she rejoices on “Go Home”, “I got a new thing.” Darkness inherently suggests depth, but it takes a much wiser writer to find meaning and complexity in the luminous place that Big Time occupies. “Chasing the Sun” ends the record in a smiling, romantic place, a verdant crescendo rising as she pines: “Write a postcard to you / when you’re in the other room/ I’m just writing to say that I can’t find my clothes / If you’re lookin for something to do.”
The burning of her earliest work is still here, of course, but this time she’s “freed from the longing / for one moment to last” and she’s ready to “walk through the fires / of all earthly desires.”
"Fusing elements of each of his early influences, from Joni Mitchell to Phoebe Bridgers, Zaidi is creating soundscapes that bring awareness of documenting the euphoric high-and-low feelings of youth." - Unpublished Magazine. "Reminds us of the Garden State soundtrack in all of it's closeness and acoustic guitar strumming. This one's terrific." - American Songwriter. '2013' is a sweeping nostalgic offering from Zaidi... emotive, lyrically dense reflections... pulling from folk touchstones." - Under The Radar. "Formerly lo-fi, now increasingly hi-fi future soul musician." - KEXP
Jasmyn is the new solo project created by Jasmyn Burke, former singer-song- writer and frontwoman of the critically acclaimed Canadian band, Weaves. Having two JUNO nominations for Alternative Album of the Year and two SOCAN Songwriting Prize nominations, Burke has established herself as one of Canada’s most exciting and fresh voices.
With this new project, she has decided to use her own name, Jasmyn, to mark the start of exploring her own unique sound as a solo artist. Collaborating remotely with Los Angeles-based producer John Congleton (St. Vincent, Angel Olsen, Sharon Van Etten) on a body of work she had compiled over months of being in lockdown. Finally in the Spring of 2021, Jasmyn went to LA to record with Congleton, exploring themes of finding patterns in life and how to perhaps change them.
On the general direction of her new album In the Wild, Jasmyn said, “This was written during the Fall of 2020; The world was feeling pretty heavy, and I felt myself wanting to write music that created a mood of happiness and space to grow. I feel like I have grown and changed as a person over the last few years and wanted to write songs that created a sense of confidence and well-being.”
With Weaves receiving worldwide support from the likes of Rolling Stone Magazine, NPR, Pitchfork, and more, Jasmyn is excited to share a new side of herself, perhaps her most honest and raw work to date.
Released in 1970, Watertown is a lost masterpiece. It was a turning point for Frank Sinatra: a concept album from the man who pioneered the concept album, written by Bob Gaudio, of Four Seasons fame, and Jake Holmes, who previously had written the Four Seasons’ own concept album.
Despite a top 5 AC chart showing for the single “I Would Be In Love (anyway),” the album was poorly received at the time, but has gone through a re-evaluation in recent years and is now considered one of Sinatra’s finest recordings.
The LP edition featuring the original 10-track sequence, a package with all original lyrics, a printed sleeve with new liner notes, a track-by-track breakdown from Mr. Gaudio, and a 12” X 24” poster.
Darius Rucker will be releasing his #1's on CD for the first time. It includes 10- #1 Hits that span over 10 years. It begins with "Don't Think I Don't Think About It" which was his first #1 and all of the way up to 2020 with his #1- "Beers and Sunshine". Darius has released 5 solo country albums on Capitol Records Nashville that have included 10 #1 Country Songs.
"'Paper Vows' is a chilled melodic gem, with Birkenes gliding over top of synth bass, glossy electronics, and a slick beat. Though the results are undeniably dreamier, beneath the production Birkenes' resonant vocal talents and skill with a pop hook are on full display. Lyrically, the track is a biting look at changing gender norms, with Birkenes seizing her own power and independence back. As she says early in the song, "I see that I'm / the one to save me." - Under The Radar
Michael Franti has long been revered for his inspiring music, worldwide philanthropic efforts and the power of optimism. Deemed by NPR as “equal parts musician and activist,” Franti continues to offer opportunities for gratitude, solidarity and celebrating how we get through the greatest ups and downs of our lives with our body, mind and soul still in one piece with his upcoming 12th studio album Follow Your Heart, set for release June 3 via Thirty Tigers. You can pre-order the album today from your local record store. The CD will be available on June 3, and Vinyl will be available August 12.
“One thing I learned these last couple of years is that people need people,” shares Franti. “I wrote many songs about connection, resilience and finding the light, even in the midst of all the crazy. Somewhere in there we find resilience, and I hope Follow Your Heart gives fans the courage to continue looking for and holding onto that perseverance.”
Michael Franti & Spearhead will embark on the Follow Your Heart World Tour on May 13, performing across North America through the summer with plans to announce additional dates, before heading to Europe in early 2023. Tickets are on sale now at MichaelFranti.com.
Rolling Blackouts Coastal Fever return in 2022 with Endless Rooms, the Melbourne quintet's third album proper. Described by the band - comprised of Fran Keaney, Joe White, Marcel Tussie and brothers Tom Russo and Joe Russo - as them "Doing what we do best: chasing down songs in a room together", Endless Rooms stands as a testament to the collaborative spirit and live power of RBCF. While initial ideas were traded online during long spells spent separated by lockdowns, the album was truly born during small windows of freedom in which the band would decamp to a mud-brick house in the bush around 2hrs north of Melbourne built by the extended Russo family in the 1970s. There, it's 12 tracks took shape, informed to such an extent by the acoustics and ambience of the rambling lakeside house that they decided to record the album there. The house also features on the album cover. For the first time, the band self-produced the record (alongside engineer, collaborator and old friend, Matt Duffy), creating their most naturalistic and expansive document yet. The result is a collection of songs permeated by the spirit of the place; punctuated by field recordings of rain, fire, birds, and wind. "It's almost an anti-concept album," say the band. "The 'endless rooms' of the title reflects our love of creating worlds in our songs. We treat each of them as a bare room to be built up with infinite possibilities."
Having taken some time out after the busy schedule surrounding their 2003 debut album Keep On Your Mean Side, The Kills returned with No Wow in 2005, a dark and brooding musical examination of the period in which New York's punk scene became its dance scene. This 2022 reissue features new mixes of the original album by Tchad Blake (Arctic Monkeys, The Black Keys, Sheryl Crow).
Riff-monsters Crobot conjures up the kind of rock 'n' roll that has grooves so powerful they throw you around the room and hooks high enough to shake the heavens. With tens of millions of streams, countless shows and acclaim from the likes of Metal Hammer, Classic Rock, Kerrang, BBC Radio, SiriusXM Octane, Loudwire, Guitar World and more, Brandon Yeagley [vocals], Chris Bishop [guitar], Tim Peugh [bass], and Dan Ryan [drums] realize their vision like never before on their fifth full-length, 'Feel This', available everywhere June 3rd via Mascot Records. 'Feel This' is the follow-up to 2019s Top 10 Heatseekers album Motherbrain - whose cumulative streams have surpassed 30 million. 20 million of which were for the goliath single "Low Life" - a US Top 10 hit at the Mainstream Rock radio with a 29-week run on the Billboard charts. "This is the record we've been wanting to do ever since we started," exclaims Brandon. You'll feel rock 'n' roll comes to life in Crobot's hands. "We never want to make the same album twice," Brandon leaves off. "There is something for every Crobot fan out there as well as newcomers. At the same time, we're having fun. We want to be taken seriously, but not too seriously-because this is monkey hour after all. We want you to walk away smiling. If we can make you smile, we've done our job".
Keanu Reeves plays Neo, a computer hacker who learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers. The Matrix went on to become a billion dollar franchise, and Don Davis' epic scores propelled the story forward across three films.With The Matrix returning for a 4th installment, new and original fans are revisiting the film that started it all.The original score is presented here in all its glory, 44 tracks over three LP’s, a substantial expansion of the 10 track album released at the time of the film in 1999.
This deluxe 3-LP set expands the original 10 track vinyl release to encompass the complete film score of 44 tracks. Housed in a stunning new art design featuring a three feet long fold-down cover, the package also includes classic film stills and an exclusive new interview with composer, Don Davis.
Fantastic Negrito’s upcoming album and short film "White Jesus Black Problems" was inspired by a search into his ancestry where he found that his 7th generation grandmother was a Scottish indentured servant who entered into a common law marriage with an African American enslaved man, his 7th generation grandfather, in open defiance of the racist laws of 1750’s colonial Virginia. Their love story is a healing testament to standing up against inhumane and brutal systems with love as your only weapon.
Last summer, Memphis May Fire - Matty Mullins (vocals), Kellen McGregor (guitar), Cory Elder (bass) and Jake Garland (drums) - dropped a series of singles, which accumulated nearly 35 million streams combined as fan excitement reached fever-pitch levels. The new material was repeatedly lauded by Revolver, SiriusXM, Loudwire, WSOU and HM. Additionally, each song drop had a philanthropic element and was accompanied by a piece of charity-driven merch that was available at the band's online store.
Today, the band has announced its seventh album, "Remade in Misery." The album arrives on June 3 via longtime label Rise Records. Preorder it here.
He adds, " `Remade in Misery' is undoubtedly a new season for MMF. We have truly rediscovered who we are as a band through these songs, and we can't wait to bring them to life on upcoming tours..
Adrian Quesada (Black Pumas) presents ‘Boleros Psicodélicos’: a celebration of the super funky, slightly delirious and deeply soulful sounds that transcended the cultural boundaries of Latin America throughout the late '60s and early '70s. All twelve tracks were produced, engineered, mixed and largely performed by Quesada with vocals from former Calle 13 member iLe, Gabriel Garzón-Montano, Girl Ultra, Angelica Garcia and Gaby Moreno. Marc Ribot and Money Mark (Beastie Boys) also contribute.
Nicki Bluhm's creative confidence and authentic vocals are front and center on AVONDALE DRIVE, her sophomore solo album and the follow up to her critically-acclaimed 2018 release To Rise You Gotta Fall. The native San Franciscan who now calls Tennessee home possesses a gorgeously emotive voice and her clear-eyed perspective on life informs the 10 tracks on the new release. Produced by Jesse Noah Wilson and recorded in East Nashville, the new album features a cast of musical luminaries including Oliver Wood, James Pennebaker, Jay Bellerose, Jen Condos, Erik Slick, Erin Rae, Karl Denson and AJ Croce. The album combines nostalgic country-rock with distinctly modern lyricism-an apt contrast for the process of studying one's past in order to make a better future. Stand out tracks include a duet with Oliver Wood on "Friends", the folksy "Juniper Woodsmoke, the reflective "Learn to Love Myself and "Wheels Rolling," a windows-down, hit-the-gas banger that ends the album Bluhm's music career began in the Cow Hollow area of San Francisco, where she recorded two solo albums and co-founded Nicki Bluhm and The Gramblers. After gaining widespread attention for their "Van Sessions" on YouTube, in particular their cover of the Hall and Oates classic "I Can't Go For That" which has garnered nearly 4 million YouTube views, they toured internationally and recorded two albums as a band. Since embarking on her solo career, Bluhm has carved a niche for herself as a powerful and incisive writer as well as an unparalleled vocalist. In addition to her solo work, Bluhm is also a sought-after collaborator with an A-list of icons and tastemakers including The Wood Brothers, George Porter Jr., The Infamous Stringdusters and Phil Lesh.
Pianist Johannes Wallmann’s tenth album, Precarious Towers, introduces a new high-octane quintet featuring Downbeat “Rising Star” alto saxophonist Sharel Cassity, vibraphonist Mitch Shiner, bassist John Christensen and drummer Devin Drobka. Forged during the pandemic, Wallmann's tunes take inspiration from family playtime, social isolation, and the election, as well as an homage to McCoy Tyner and a Frank Zappa inspired closer to the set.
As she has so eloquently accomplished over the past 25 years, acclaimed singer-songwriter Mary Gauthier has used her art once again to traverse the uncharted waters of the past few years. “I’m the kind of songwriter who writes what I see in the world right now,” she affirms. Thankfully, amid dark storms of pandemic loss, she found and followed the beacon of new love: Her gift to us, the powerful Dark Enough to See the Stars, collects ten sparkling jewels of Gauthier songcraft reflecting both love and loss.
Her eleventh album, Dark Enough to See the Stars, follows the profound antidote to trauma, Rifles & Rosary Beads, her 2018 collaborative work with wounded Iraq war veterans. It garnered a Grammy nomination for Best Folk Album, as well as a nomination for Album of the Year by the Americana Music Association. Publication of her first book, the illuminating Saved by a Song: The Art and Healing Power of Songwriting, in 2021, brought her more praise. Brandi Carlile has said, “Mary’s songwriting speaks to the tender aspects of our humanness. We need her voice in times like these more than we ever have.” The Associated Press called Gauthier “one of the best songwriters of her generation.”
The Rolling Stones embarked on a worldwide tour in 2002 and 2003 that would cover 117 shows in a variety of theatres and arenas. This show captures their January 2003 performance at Madison Square Garden in New York City and features a guest appearance from Sheryl Crow on "Honky Tonk Women." Licked Live In NYC includes previously unreleased performances of "Start Me Up," "Tumbling Dice," "Gimme Shelter," and "Sympathy For The Devil," pressed on 180-gram white vinyl. Limited Edition.
Carrie Underwood will be releasing a brand new studio country album on June 10th called Denim & Rhinestones. The album includes 12 tracks including her latest hit single- "Ghost Story". Carrie is a true multi-format, multi-media superstar, spanning achievements in music, television, film, and as a New York Times bestselling author and successful entrepreneur. She has sold more than 66 million records worldwide, recorded 28 #1 singles (14 of which she co-wrote), and has seven albums that are certified Platinum or Multi-Platinum by the RIAA, all while continuing to sell out arena tours across North America and the UK.
Madman Across the Water, released in 1971, is the 4th studio album by Elton John. The 4 LP box set includes a 40-page booklet with introductions by Elton and Bernie, photos and a full essay featuring interviews with many who helped make the album, a reproduced 1971 poster, plus memorabilia and artwork from the Rocket Archive. LP 1: Remastered version of the album. LP 2 & 3: Piano demo version of the album + live and alternate versions. LP 4: BBC Sounds for Saturday concert, first aired in 1972.
2022 release. Vocalist Chris Motionless elaborated on the ambitious new project stating, "this is my love letter to you, our fans, for everything you have done for me over the course of some of the most mentally taxing few years I've had to go through. At times where I felt like my world was ending, as well as the world around us, it was always in my mind that I was able to turn to the special relationship we have created together for help, and I cannot thank you enough for that. Outside of my own personal experiences, it has been equally as fulfilling to me to see that in the face of tireless forces that continue to try and perpetuate hatred and negativity towards so many of us coexisting on this planet, we have all stood together to resist and fight back knowing that love and compassion will always prevail. We ARE the resistance. We ARE Cyberhex. I love you. Thank you." Scoring The End of the World fully encompasses the expanse of the band's dynamic, deep, and dark vision, and marks the band's first full-length body of work in three years since 2019's Disguise. The latter has quietly made a major impact on rock music and culture.
7 years after their last studio album, The Inevitable End, and their farewell to the traditional album format, Röyksopp unveils Profound Mysteries, an expanded creative universe and a prodigious conceptual project. In 2022, they embark on a new chapter in their career and musical oeuvre, exploring technology and nature in a similar fashion as in their youthful days in Tromsø, but with added profundity. "As human beings, what we don't know vastly overshadows what we do know. As teenagers, we would discuss our own fascination and preoccupation with the infinite and the impossible - the most profound mysteries of life." After stepping on a lot of puffball mushrooms out in the forest and emerging from an organic cloud of dust, they deliver their most extensive work to date and reveal once more why only Röyksopp is Röyksopp.
Revival is a collection of songs that speaks to the band's journey back to innocence and hope through reclamation. Recorded in Asheville, NC, the album is an attempt to recapture the innocence of their youth, embracing the sadness and loss of the last few years and welcoming the future with a renewed energy and spirit that harkens back to their earliest days. Judah & the Lion don't shy away from the sing-songy lyrics they're known for in songs like "HAPPY LIFE," "scream!" and "Take a Walk."
Kiss -"Kiss Off The Soundboard: Donington 1996 (Live)" - Live recording from the soundboard during the Monsters of Rock Festival at Donington Park in England on August 17, 1996. Features "Do You Love Me, " "God of Thunder, " and more performed by Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss.
Multi-platinum singer-songwriterVanceJoyhas announced his highly anticipated third studio album,In Our Own Sweet Time. Created mostly in the pandemic, the album is Joy’s most personal project yet. Realizing what truly matters and growing in new ways personally and creatively,In Our Own Sweet Timeis fueled by old friends, new memories and finding love in a not-so-hopeless place. The eagerly awaited new album includes collaborations with hitmakers such asJoel Little (Lorde, Taylor Swift), Dan Wilson (Adele, Leon Bridges), Take a Day Trip (Miley Cyrus, Lil Nas X) and more.
Rufus Does Judy at Capitol Studios is a live album by Rufus Wainwright, slated to be released by BMG in June 2022. The album was recorded at Capitol Studios, during a virtual concert of the same name, which saw Wainwright re-create Judy Garland's live album Judy at Carnegie Hall.
Four-time GRAMMY Award winners and Rock & Roll Hall of Fame inductees, The Doobie Brothers, present their 15th full-length album, Liberté. It contains 12 new tracks produced and co-written by John Shanks (Bon Jovi, Sheryl Crow, Miley Cyrus). The album precedes their 49-city, North American tour to celebrate the band’s 50th anniversary, where Tom Johnston, Michael McDonald, Pat Simmons, and John McFee will tour together for the 1st time in 25 years.
BTS is back with a brand-new anthology release titled Proof. This new album contains the chronicles of BTS since their debut in 2013 and how they have paved the way with their own blood, sweat and tears. Contents of Proof (Standard Edition) include 3 CDs including three all-new tracks, 4 Booklets (The Art of Proof, Photograph, Epilogue and Lyrics), Photocard Set (7 total), Photocard (random 1 of 8), Postcard (random 1 of 8) and Limited-Edition Poster. Dimensions: 190 x L 252 x H 60 (mm).
Janky Star is the new album from pop-polymath Grace Ives, following 2019’s critically acclaimed 2nd. The 10 tracks are full of punchy synths and unconventional rhythms, but Ives uses the quiet spaces in between to honestly reflect on her ongoing struggle to find stability and happiness. Touching on sobriety, overdoses, and the desire to escape from the realities of modern life, Janky Star focuses on the rewards of slowing down and finally finding a home for herself in the ever-shifting world.
Gold Rush Kid is the highly anticipated new album from singer-songwriter George Ezra. This 12 track album was announced with the release of the first single and video, ‘Anyone For You.’ In speaking about the lead single, George says: “‘Anyone For You’ is a patchwork of lyric ideas found in old notebooks and chance moments shared between musicians in the studio. It’s joyous and infectious, and I can’t help but smile every time I sing it.”
After two successful albums – 2014’s Wanted On Voyage and 2018’s Staying At Tamara’s – both of which reached number 1 in the UK and sold millions around the world, it was time to return to heart and hearth, with an album written and produced entirely in London with longstanding collaborator Joel Pott. With Gold Rush Kid, George Ezra has created a reviving, and invigorating collection of songs.
Richard Ashcroft releases a limited 7" of C'mon People (We're Making It Now) featuring Liam Gallagher. It comes in the form of the Don't Stop Now Mix and is backed by Bring on the Lucie (Freda Peeple) on the flip.
After releasing her sophomore album Inner Song in the midst of the pandemic, Kelly Lee Owens was faced with the sudden realisation that her world tour could no longer go ahead. Keen to make use of this untapped creative energy, she made the spontaneous decision to go to Oslo instead. There was no overarching plan, it was simply a change of scenery and a chance for some undisturbed studio time. It just so happened that her flight from London was the last before borders were closed once again. The blank page project was underway.
Arriving to snowglobe conditions and sub-zero temperatures, she began spending time in the studio with Lasse Marhaug. An esteemed avant-noise artist, Marhaug envisioned making music that would fall loosely in line with Throbbing Gristle. Kelly, on the other hand, had planned to create something inspired by Enya, an artist who has had an enduring impact on her creative being. They met each other halfway, pairing tough, industrial sounds with ethereal celtic mysticism, and creating music that ebbs and flows between tension and release.
One month later, Kelly called her label to tell them she had created something of an outlier, her ‘eighth album’.
This February the story of the infamous Unabomber Ted Kaczynski will receive its theatrical debut in a new Tony Stone directed film, Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Stone’s choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter.
2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland’s acclaimed cinematic debut Calm with Horses. This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with the BBC’s acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for Best Original Film Score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards.
Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass’s Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski’s story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project “I wanted it to feel like an ‘epic’” and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil.
The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art.
Bobby Oroza puts his desire for the profound on wax with his sophomore album Get On The Otherside. Musically, he has updated the formula we were introduced to on the first record. But lyrically, songs are bravely rooted in the more complicated, ubiquitous inner tangles of life like self-examination and coming to terms with the vastness of the human experience.
With Coronavirus bringing the world to a halt, Bobby—a father and husband—had to do something. No tours to play or studio time to ll, Bobby found himself back in the construction yard, doing blue-collar work to provide for his family. "I was super grateful for the work—a lot of my colleagues didn't have an option like that," Bobby admits. More than a few personal hardships forced him to acknowledge and work through some brutal truths.And what came of it? Well, for one, this new record Get On The Othersidewhich pretty well describes what Bobby's been through: He had to demolish his ego, his old ways of thinking, and his tried approaches to anchor into a refreshed perspective with new understandings.
As Bobby tells it, "I had to do some real self-searching, come to terms with what was wrong, and how much of it I was responsible for." So how does this translate to the new album? Moments of clarity as to where the real value in life lies on “I Got Love”, encouraging numbers like the title track “The Otherside”, and declarations of self actualization on “My Place, My Time”.Even the more straightforward love songs are outside the box lyrically like“Sweet Agony” and “Loving Body”. If you have never had the pleasure of catching one of Bobby’s live shows you may have no idea that he is a maverick on the guitar. He lets us in on a little of that on “Passing Things” with a solo that possesses the same restrained and space that his lyrics do.
As we'd expect, the songwriting still has that raw, direct edge to it. But an evolution has taken place. There are new points of view on familiar territory which in Bobby’s words "For me to love, I needed to take a bigger view of love. One with less ego and more empathy” really hold true. The result is a record with Bobby’s new found humility on full display and a message of encouragement to anyone who is struggling and can’t see a way out.
It still may be hard to nail down and dene Bobby and his sound. He's no one thing more than the other. But what he's showing us now, on Get On The Otherside, is that we can also label him a soulful, philosophical optimist.Someone who can say a lot with a little, and who wants us all to know that it's us that has to do the hard lifting to truly live a life in love—both with the world and with yourself.
40 oz. to Fresno is the highly anticipated 6th studio album by Joyce Manor. Produced by Rob Schnapf, this 9 song album is an honest, hard-hitting, post-emo, power pop masterpiece packed with the elevated writing and earnest delivery Joyce Manor is loved for.
Joyce Manor has toured extensively and their live show has been the driver behind the band’s success. They have made festival appearances at FYF Fest, Coachella, Riot Fest and since the release of their last studio album in 2018, the band has headlined NYC Central Park SummerStage, sold out two nights at the Palladium in LA, and sold out two matinee show at LA’s historic Union Station.
Joyce Manor is a band from Torrance, CA consisting of Barry Johnson (vocals/guitar), Chase Knobbe (guitar), Matt Ebert (bass), Neil Hennessy (new drummer, from The Lawrence Arms). Johnson and Knobbe started the band in 2008 in the Disneyland parking lot, named after an apartment complex that Johnson would walk past every day. Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has released five studio albums; Joyce Manor (2011), Of All Things I Will Soon Grow Tired (2012), Never Hungover Again (2014), Cody (2016), and Million Dollars to Kill Me (2018).
A comprehensive, chronological overview of The Rolling Stones' early career as pop chart hitmakers. Contains 18 vinyl 7" 45 RPM singles and E.P.s in original picture sleeves, a 32-page book with liner notes by Rolling Stones authority Nigel Williamson, plus set of 5 photo cards and a color poster, all housed in a hard-shell box. Limited Edition Box Set.
Read Southall is talking about the first single (“Where We Belong”) from his namesake band’s new album, For the Birds. But he’s also talking about the idea that it took a few years, a very isolating 2020 and some needed shifts in musical direction to get to a place where new music — let alone the group’s crowning achievement — could even exist.
“I don’t think we would be a band without this album,” says Southall, calling from his home in a small town outside Oklahoma City, Oklahoma. “I think for a while we were just focused on touring, getting out there and we didn’t take care of the music as needed. In a way, we needed that year off the road. We made an album and just worked. We refocused and decided this is what we want to be doing.”
While impossible to pinpoint, the music on For the Birds could be called, well, timeless. It’s rock’n’roll, and it doesn’t easily fall into labels like country, Southern rock or classic rock. It’s ambitious to a degree that’s rare for a guitar-driven band in 2021 — witness the aforementioned first single “Where We Belong,” an epic number that clocks in at a whopping six-plus minutes.
You’re not going to find many albums that evoke both the likes of Waylon Jennings (“Here We Are”) or early grunge (“Out of My Mind,” which would sound just fine sandwiched between Temple of the Dog and an early Smashing Pumpkins record). From classic to contemporary rock, these are songs that could appeal to the disparate fanbases of Gary Stewart, Joe Walsh, Rival Sons or Chris Cornell.
This new vinyl package contains material originally recorded and filmed for MTV at the Summit in Houston, TX in November of 1981. The 2-LP edition contains such hits as “Lights”, “Lovin’ Touchin’ Squeezin’”, “Wheel In The Sky”, and “Anyway You Want It.” In addition there are tracks from Journey’s then-current album Escape, including the title cut along with “Open Arms”, Who’s Crying Now”, and “Don’t Stop Believin’”.
Limited orange colored vinyl LP pressing. 2022 release. When you strip everything else away, we rely on our animal instincts to survive. In the face of danger, we either flee or fight without hesitation. No matter how many perceived differences exist between us, we breathe the same air, drink the same water, and eat the same way to subsist. Dragged Under naturally harness this primal power in their hard-hitting hybrid of punk, rock, metal, and hardcore. Choosing to progress, the Seattle quintet sharpen their claws, teeth, and style on their second full-length album, Upright Animals. With animalistic energy, Dragged Under charged out of the gate in 2020 on their debut The World Is In Your Way. The album generated streams in the tens of millions and earned widespread critical acclaim.
Foals take a fresh, thrilling new direction on with their upcoming album ‘Life Is Yours’, which will be released on June 17thvia Warner Records. ‘Life Is Yours’ is the follow-up to the triumphant, two-part ‘Everything Not Saved Will Be Lost’, which proved to be a pivotal pinnacle in the band’s story. Not only did it result in the band’s first ever UK #1album, but the ambitious scale of the Mercury-nominated album saw Foals win their first BRIT Award for Best Group.
‘Life Is Yours’ feels like a natural evolution for Foals, its disco-tinged guitars, tight syncopated rhythms and punchy, insistent hooks echoing their roots as purveyors of rambunctious house party chaos. Thematically, it’s escapist, transportive and in rapture at life’s endless possibilities. It’s a record that’s perfectly in tune with the prevailing atmosphere of this moment in time – a life-affirming celebration as the world is reunited.
Originally released in 2003 with 30 tracks, UMe has updated the classic Sounds Of Summer compilation by The Beach Boys. The Expanded Edition 6 LP set features 80 key tracks from their storied career (all newly remastered) with 24 new stereo mixes, including two first-time stereo mixes. Limited pressing on 180-gram vinyl with updated photos and liner notes.
The Gold Experience was the first full-length Prince album to be credited to his unpronounceable symbol and was released at the most public, heated stage of his battle with the major label industrial complex. With the word “SLAVE” written on one cheek, Prince shined on the opulent ballads “The Most Beautiful Girl in the World” and “Gold” and the defiant single “Eye Hate U,” and the album earned widespread critical acclaim.
"Not The Smile as in ha-ha-ha, more The Smile as in the guy who lies to you every day"... so speaks Thom Yorke on the inspiration behind the name of the new trio consisting of himself, his Radiohead bandmate Jonny Greenwood and drummer Tom Skinner of UK jazz outfit Sons of Kemet. The description is borne out by The Smile's acerbic first single "You Will Never Work In Television Again," a 2:48 blast of ragged, raw energy that moved The New York Times to rave: "Over a bruising 5/4 beat and flailing guitars climbing through three chords, Yorke snarl-sings his avenging fury at 'some gangster troll promising the moon' who'd devour 'all those beautiful young hopes and dreams,' and you can almost feel the spittle flying."
Additional singles "The Smoke", "Skrting the Surface" and "Pana-Vision" - which epically closed the series finale of hit show Peaky Blinders - followed with equal critical acclaim; all are collected on The Smile’s first album, A Light For Attracting Attention, produced by Nigel Godrich.
ELDREDGE - SONGS ABOUT YOU - The album features 12 songs co-written by Eldredge including the previously released "Want That Back" and "Holy Water." "I knew exactly what I wanted to say and what I wanted the album to sound like," said Eldredge of the new album. "I wanted the album to be songs that connect us all in the human experience. These are emotions that are reflective of each of us. There are songs of solitude, joy and heartbreak, and I like that tension. Songs About You is about the songs that instantly recall your own experiences. The songs that can make you remember exactly how you felt, or the sights around you or the smells in the air. The songs that make you remember all the happiness and the heartbreak." These latest releases follow his seven country-radio No. 1's, nine Gold and Platinum-certified singles, two Gold-certified albums, multiple CMA, ACM and CMT Music nominations and wins and most recently, his critically acclaimed fourth studio record, Sunday Drive.
A classic story of one man fighting for the freedom of the world with a great science-fiction twist. This movie is full of amazing dialogue and also contains the greatest fistfight in the history of cinema. Like most of Carpenter’s films They Livehas an urban-western feel to it which is emphasized by the infectious score.
Celebrated designer and artist Alan Hynes has crafted a spectacular collectible package for the soundtrack befitting the film’s theme of subliminal communication utilizing the iconic sunglasses to reveal hidden messages as you pull the disc sleeve from the slipcase.
Carpenter and Howarth’s main theme conjures up images of a lone cowboy entering town with the main melody augmented with the sounds of harmonica and saxophone. There’s a carefree attitude that reflects Rowdy Roddy Piper’s character but the score takes on a more sinister tone when he realizes he doesn’t know anything about what’s really going on. Carpenter’s signature synth tones create an uncomfortable atmosphere but the main bassline is always fighting against them never giving up. Electric guitar is used fleetingly but brilliantly and the whole score embodies the kind of rebelling against authority Carpenter is famous for. They Live will rock your world without the need for a Brazilian plastic surgeon to put you back together again.
Vinyl Days is the highly anticipated seventh studio album from GRAMMY-nominated, multiplatinum artist Logic. Hosted by Funk Flex and driven by samples from the vinyl collection of MadLib collaborator, Egon, Vinyl Days boasts appearances from Wiz Khalifa, The Game, RZA, Action Bronson, Morgan Freeman, Earl Sweatshirt, Nardwaur, Anthony Fantano and more.
When Chris Stewart set out to write and record his third album as Black Marble, he was newly living in Los Angeles, fresh o a move from New York. The environment brought much excitement and possibility, but the distance had proved too much for the car he brought along. With it out of commission indefinitely, he purchased a bus pass and planned his daily commute from his Echo Park apartment to his downtown studio, where he began to shape Bigger Than Life. The route wound all through the city, from the small local shops of Echo Park to the rising glass of the business district, to the desperation of Skid Row. The hurried energy of the environment provided a backdrop for the daily trip. When Stewart finally arrived at his studio, he’d look through his window at the mountains and the sky, seeing the beauty that makes L.A. unique — the same beauty his fellow commuters, some pushed to the edge of human endurance, had seen. That was the headspace he was in when he began to map out the syncopated drums and staccato arpeggiation of Bigger Than Life, an ode to his new condition and a shimmering synth-pop response to its cacophony.
As with every Black Marble album, Stewart recorded, produced, and played everything you hear on Bigger Than Life using entirely analog gear, though the process was new. This time around, he wrote everything on his MPC and sequenced it lie to his synths — only using the computer to record, not to create. “I try new approaches every time, which helps me stay engaged but also its kind of a trick I play on the creative side of my brain,” Stewart says. “Keeping one side of my mind busy on organizational creativity I think frees up the other side where the inspirational creativity comes from.”
For over a decade, Nika Roza Danilova has been recording music as Zola Jesus. She’s been on Sacred Bones Records for most of that time, and Okovi marked her reunion with the label. Fittingly, the 11electronics-driven songs on Okovi share DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova’s longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from Pedestrian Deposit, and percussionist Ted Byrnes all helped build Okovi’s textural universe.
In April of 2021, 13 months into quarantine, Rick Springfield and his band performed his most iconic album, “Working Class Dog,” from start to finish live at Rick’s home in Malibu in celebration of its 40th Anniversary. The resulting work is a renewed interpretation of a classic. The DVD features behind-the-scenes footage, all the joyful live performances, plus 4 bonus Rick Springfield hits: “Love Somebody,” “Don't Talk to Strangers,” “State of the Heart,” and “Affair of the Heart.”
140g Clear Vinyl in Standard Sleeve of A PLACE TO BURY STRANGERS’ 2009 single “Keep Slipping Away,” including brand new “Keep Slipping Away 2022” and previously unreleased “My Heart Was Empty.” Taken from their sophomore studio album Exploding Head, released in 2009, the limited edition release also features 4 remixes, including South Central, Cereal Spiller, Maps & Richard Fearless.
Like an old bone dug up by an even older dog, Quarters! is decaying, stinky, flyblown, but still somehow... meaty and tasty. It’s wonky! It’s wobbly! Warts n’ all! The Gizzard Gator flies in, serenades you for 40:40 and is off in search of more flesh. Quarters! is a woozy jam recorded to warped tape. Join the cult. Join the Quarters! club. Pressed on recycled 180-gram vinyl and packaged in a brown paper bag in place of shrink wrap.
You are getting very sleepy... Red-cloaked, faceless figures beckon. You ascend the staircase to the castle in the air. You step to their groove. It’s kraut, it’s garage, it’s soul, it’s psych. It’s crazy. It’s all in your head. Or is it? You are getting very sleepy... I’m in Your Mind Fuzz is pressed on recycled 180-gram vinyl and packaged in a brown paper bag in place of shrink wrap.
Option Explore, Dylan Moon’s second full-length album, is a glassy-eyed survey of pop’s playing field both past and present, and a collection of clever, colorful songs filtered through frequencies, timbres, and dreams discovered and discarded while its maker shifts from one sub-genre to the next.
Option Explore signals a significant departure from Moon’s debut 2019 album Only the Blues, which at its heart is a folk record from the forlorn fringes of psychedelia: a little mysterious, but ultimately lucid in its internal logic and generous with standalone, but sing-along, songs. Dylan’s 2020 EP Oh No Oh No Oh Nosuggested both a shift in his writing and listening habits, culminating with the 2021 compilation Moon’s Toons Vol. 1. On Option Explore, Moon willfully spins multitudes. With a careful study of synthpop, a penchant for warped yet unwavering guitar grooves, and an effortless songwriting ability, he leans into unlikely convergences, and arrives at something deeply futuristic in its disregard for genre sanctity.
There's a space between literal and abstract where art often resides, and few bands excel at navigating that surreal territory more deftly than Horse Jumper of Love. On their third full-length, Natural Part, the Boston-based three-piece revels in the act of grasping at something that can't be held, smudging the lines between rich details, hazy memories, vivid moments, and intangible feelings to create their most captivating record to date. Sonically, Natural Part feels even more expansive than anything Horse Jumper of Love have done before, which is no small feat for a band whose music has often hinged on billowing guitars and roomy drums. Opener "Snakeskin" gently welcomes the listener with an enveloping atmosphere, before a sharply angled guitar riff in the towering second track "Ding Dong Ditch" fractures the aura. Familiar influences like Duster and David Berman can still be heard throughout, but new elements like cello-performed by Emily Dicks Thomas and inspired by both Nirvana's unplugged album and listening to Oasis' "Wonderwall" in preparation for a Halloween cover set)-add different textures to the band's reverberating sound. A sense of mystery and the inevitability of change permeates much of The Natural Part, with vocalist / guitarist Dimitri Giannapoulos often capturing snapshots that take note of a flickering feeling in the mundane, and then letting his imagination expand it into something profound. It's those kinds of details that makes Natural Part such a compelling listen. It's an album planted firmly in small moments that feel big: the unexpected flashes that somehow feel authentic and esoteric all at once, and cut through our busy lives to ground us in something that seems meaningful-even if we can't fully articulate why.
Scrutiny, the debut album from Moaning's Pascal Stevenson under her new solo alias Fashion Club, explores the mind's complex relationship to morality, and the way structures of power tend to replicate themselves through unexamined habits. Stevenson began writing the songs that would become Scrutiny toward the end of 2018, as Moaning embarked on a European tour in support of their critically acclaimed first album. Between shows, in the back of the band's tour van, she traced early drafts of Scrutiny's instrumentals on her laptop, planting the seeds of what would bloom into her captivating solo debut.While concocting Scrutiny's dreamlike art-rock palette, Stevenson drew inspiration from artists working during the incipient decades of the synthesizer’s lifetime, like Kate Bush, Brian Eno, and Wire's Colin Newman – musicians whose work bridges the gap between disarming experimentalism and pop pleasure. The album similarly channels the influence of Jimmy Jam and Terry Lewis’s tactile, material production on Janet Jackson’s late ‘80s albums Control and Rhythm Nation 1814, records that exploded the potential of digital music-making and entwined the sounds of new technology with the currents of the body.
Jorn Lande returns with a new studio album, "Over The Horizon Radar" on June 17th. Jorn has a long and storied career in heavy metal, including an established solo career, releases with Masterplan, Ark, and more, a series of duet albums with Russell Allen (Symphony X), a touring & recording member of Avantasia, a participant in the 2021 Melodi Grand Prix (Norwegian Eurovision contest), appears in the popular League Of Legends video game, & has amassed millions of streams. A Norwegian legend!
Iconic is a supergroup featuring Nathan James (Inglorious), Michael Sweet (Stryper), Joel Hoesktra (Whitesnake), Marco Mendoza (ex-Journey, Whitesnake), Tommy Aldridge (Whitesnake). It was co-produced by Michael Sweet and Alessandro Del Vecchio (Hardline, Revolution Saints). A bulk of the songwriting was done by Sweet and Joel Hoekstra. They will be releasing a CD and LP on 6/17 titled "Second Skin".
Ready to flip the hardcore scene on its head and kick its teeth in, Hostilities is poised to head out on an uncharted path leaving a road of destruction and chaos in its wake with Violent Breed. Indie Exclusive Red 7" Single.
THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS is the breakthrough album that catapulted David Bowie into the international spotlight. Over the past 50 years it has remained a touchstone record, growing in stature with each passing year. It is now ingrained in popular culture, its undeniable influence spanning musicians from Arcade Fire to Lady Gaga, to Harry Styles’s androgynous fashion sense to Noel Fielding’s shirts on The Great British Bake-Off to Ziggy make-up challenges on Tik-Tok. -On 17th June, 2022, 50 years and one day after the original U.K. release date, THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS will be issued as a limited edition 50th anniversary half speed mastered LP and a picture disc, featuring the same master and a replica promotional poster for the album.
Driven by Max Cavalera's unrelenting energy, unmistakable growl, and instantly recognizable riffage, the earthy tones and motivational rhythmic bounce of Soulfly maintain a gritty spiritual heart while pushing the boundaries of what's possible in metal. Nowhere is that more apparent than on the four triumphant, redemptive, and crucial eclectic offerings presented in this brand new box set, celebrating the first six years of the band career. 'The Soul Remains Insane' is a deluxe collection of the first four studio albums by Soulfly and also contains a bonus album of singles, b-sides, rare cuts and a couple of previously unreleased songs. The box set will be available as a 5 album, 5CD box.
Sometimes, Forever, the immersive and compulsively replayable new Soccer Mommy full-length, cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album finds Sophie broadening the borders of her aesthetic without abandoning the unsparing lyricism and addictive melodies that made earlier songs so easy to obsess over. To support her vision Sophie enlisted producer Daniel Lopatin, whose recent credits include the Uncut Gems movie score and The Weeknd’s Dawn FM.
Meet The Moonlight, Johnson's eighth studio LP and first full-length release in five years, was produced by Blake Mills (Alabama Shakes, Perfume Genius, Jim James) and recorded in Los Angeles and Hawaii. The creation process marks a major artistic milestone from past work, taking shape from a one-on-one collaboration with Mills and unveiled an intimate and highly experimental process that involved embedding Johnson's elegantly stripped-back arrangements with enchanting sonic details.
Conan Gray has emerged as one of the pre-eminent pop superstars of his generation. After the commercial success of the global multi-platinum hits, “Heather” and “Maniac,” his music maintains its unflinching authenticity and originality. Gray’s debut album, Kid Krow, reached #5 on the Billboard 200, #1 on the Billboard Pop Albums chart, and was the biggest new artist debut of the year. Gray’s much anticipated sophomore album, SUPERACHE, is set for release on June 24, 2022.
Sony Music Nashville - Growin' Up - Luke Combs - Produced by Combs, Chip Matthews and Jonathan Singleton, Growin' Up is Combs' third studio album following 2019's 3x Platinum What You See is What You Get and his 4x Platinum debut, This One's For You. The new album consists of twelve songs, including Combs' first single "Doin' This," which has topped the charts at country radio.
'Heart Under', Just Mustard's second album, asks you to forget what you know. At every turn, this remarkable record reconfigures and stretches the ideas and ambition of a rock band, and turns a year of lockdown and personal struggles into a breathtaking artistic statement. The music the five friends from Dundalk, Ireland make is strikingly untraditional. Though to look at them, it appears that the band are a five-piece with uniform make-up of a vocalist, two guitarists, a bassist and a drummer, not a single one of them utilizes their instrument in a confined or regular fashion. Guitarists David Noonan and Mete Kalyoncuoglu make their six-strings shriek and wail, the sounds produced sounding like everything from whirring machinery to horror movie monsters. Behind them, drummer Shane Maguire uses the rim of his drums almost as much as the skins, providing a clattering, metallic backbeat. Most of the melodies on offer poke through from Rob Clarke's inventive, nodding bass lines. Then there's Katie on vocals; she's the transfixing focal point of the band. Across its 10 tracks, the album presents a coherent style and ethos ' those scything guitars, Katie's magical vocals ' but still incorporates a wide and untethered vision. There are brooding, atmospheric rock songs and others that apply a lighter, dreamier touch, all tied together with impeccable instrumentation and a united vision. 'Heart Under' serves as the next stage of this development, with every instrument brilliantly pushed to its limit and every boundary of the band stretched.
Mixing old school blues and folk with new school hip-hop and funk, G. Love’s electrifying new album, Philadelphia Mississippi, brings together both sides of the genre-bending pioneer’s eclectic career in a wildly innovative and deeply reverent sonic pilgrimage to the heart of the South. Produced by North Mississippi All-Stars’ Luther Dickinson, the collection is loose and spontaneous, full of joyful, improvised performances and freewheeling collaborations with a slew of special guests including blues torchbearers like Alvin Youngblood Hart and Christone “Kingfish” Ingram and rap icons like Schoolly D and Speech. It would have been easy for G. Love to play it safe coming off his GRAMMY-nominated 2020 release, The Juice, but Philadelphia Mississippi is perhaps his most adventurous collection to date, ditching all the rules as it experiments with form and function in an ecstatic celebration of music’s power to connect across genres and generations.
Born Garrett Dutton in Philadelphia, PA, G. Love first broke out in the early ’90s with his band, Special Sauce, on the strength of their Gold-selling self-titled debut. Over the next three decades, he would go on to release seven more critically acclaimed albums with Special Sauce (plus five on his own), become a fixture on festival lineups from Bonnaroo to Lollapalooza, and collaborate on the road and in the studio with artists as diverse as Lucinda Williams, Dave Matthews, The Avett Brothers, Jack Johnson, Keb’ Mo’, and DJ Logic.
Porcupine Tree have made their comeback today with a new single "Harridan". This will be off their new album "CLOSURE/CONTINUATION" which hits stores on 6/24. The band last released an album in 2009 (‘The Incident’). They released ten albums between 1992’s ‘On The Sunday of Life’ and 2009’s ‘The Incident’ before entering a hiatus after their biggest live show to date at the Royal Albert Hall in October 2010. The band is composed of Steven Wilson, Richard Barbieri and Gavin Harrison.
Vaxis II: A Window of the Waking Mind welcomes us back to “The Amory Wars” as the 2nd installment of the new five-part “Vaxis” arc about a couple on the run from tyrannical forces and their mysterious new addition.
Named one of REVOLVER’s “Most Anticipated Albums of 2022,” Vaxis II: A Window of the Waking Mind includes the recently released singles “Rise, Naianasha (Cut The Cord)” and “Shoulders,” the latter of which vaulted into the Top 10 at Active Rock Radio, marking the group’s career highest radio chart position to date. “(It) masterfully pairs heavy metal-infused riffs with sweeping, melodic vocals in a way that only Coheed can,” declared MTV who placed “Shoulders” in their 2021 Favorites round-up. “Coheed and Cambria are back, and they’re heavy as ever,” asserted Billboard, with Guitar World attesting “Coheed and Cambria have come out swinging.” Brooklyn Vegan observed, “It finds the band embracing their love of classic heavy metal riffage, before exploding into the kind of soaring chorus that Coheed have been churning out since day one… they sound pretty damn inspired.”
Ella Fitzgerald's "Songbook" records - with her peerless renditions of the best songs from iconic composers from Irving Berlin to Rogers & Hart to Cole Porter to George & Ira Gershwin - are the cornerstone of the Verve catalog and the standard for jazz vocal recordings. Ella never released a live version of these Songbooks. This record, discovered in the private collection of Norman Granz, will make the first time a live Songbook has been released from the First Lady of Song.
Live at The Roxy was recorded on May 3, 1991, originally for the Westwood One Radio Network. Prior to its inclusion on the 2021 'Road Apples' Deluxe package, the full concert had never been officially available and was a much sought-after show for the bootleggers and die-hard Hip fans. The 15-song set includes the legendary "Killer Whale Tank" version of "New Orleans is Sinking" and "She Didn’t Know". 2 LP black vinyl.
2022 release, the third album from the multi-platinum singer/songwriter. The album is the follow up to 2013's Head or Heart. Christina Perri is an American singer-songwriter and musician from Philadelphia. The singer's first album, lovestrong., grappled with the aftermath of a breakup, signaling Perri as an honest, genuine artist ready to share her emotional journey with her fans. That disc, released in 2011, was bolstered by the success of Perri's single "Jar of Hearts" and led the musician into nine tours over 27 months. Her final show supporting lovestrong. Took place on October 9, 2012 at Los Angeles's iconic Hollywood Bowl with Jason Mraz. Two weeks later, Perri penned the first song for head or heart, her second album.
Lately, if you blink you may miss Goose fly by. Attributing much of their success to a dedicated and exponentially expanding fan base, steady creative output, and a collective commitment to improvement, the band is now universally recognized as a premier musical act nationwide. Dripfield, Goose’s forthcoming studio offering, is a tale of introspection, carefully dissecting the details of the journey.
Produced and engineered by D. James Goodwin at The ISOKON in Woodstock, NY, Dripfield is the band’s first full-length project completed exclusively with an executive producer. Known for his unconventional recording style and eclectic equipment collection, Goodwin guided Goose through an entirely new process of album creation.
Undoubtedly the product of multiple sold out concerts and consistent recording and songwriting, Dripfield is anchored by the theme of balance. Fittingly, the project features a mix of unheard originals and re-imagined catalog staples.
Home, before and after is ReginaSpektor's eighth studio album and most quintessentially “New York” in years. Recorded in upstate New York, produced by John Congleton and coproduced by Spektor, the album is Spektor at her most inspired, heralded by "Becoming All Alone," a surrealist ballad that swells with arrangements and comes alive in your head. During the summer of 2019, Spektor completed a successful five-night Broadway residency at the Lunt-Fontanne Theatre, marking her debut on the Great White Way. The Daily Beast called the run “both whimsical and thunderous,” with Gothamist saying Spektor “delights on Broadway with a fun, zany show.” Spektor’s most recent album, 2016’sRemember Us To Life, has been the subject of extensive critical praise from the likes of NPR, Entertainment Weekly, New York Magazine,Peopleand many more. ReginaSpektor is synonymous with New York City. The Russian-Jewish-American singer, songwriter and pianist got her own Sign on the Bronx Walk of Fame,as well as “Regina Spektor Day,” (June 11, 2019) proclaimed by Mayor Bill DeBlasio. The Grammy Award nominee first saw commercial success with the RIAA Gold-certified LPBegin to Hopewhich includes singles “On the Radio,” “Better,” “Samson,” as well as “Fidelity” which climbed the Billboard Hot 100 singles chart. Spektor’s fifth album,Far(2009), and sixth album,What We Saw From the Cheap Seats(2012), both debuted at number three on the Billboard 200 albums chart. Spektor has performed at The White House as well as on Broadway, Saturday Night Live and contributed to many projects spanning film, television, and music includingThe Hamilton Mixtape.
With Happy Hour, her ravishing new LP, Hollie Cook matures into the queen of modern-day "lovers rock"-the lush girly harmony reggae style beloved in Britain since the 1970s. Evolution rings from the bittersweet opening title track; tender yet assertive, Hollie's voice caresses evocative lyrics through the arrangement's tumbling changes.
Multiplatinum-selling duo Surfaces release their fourth studio album, Pacifico, via TenThousand Projects. The highly anticipated project arrives after the success of singles “Wave of You,” “Next Thing (Loverboy),” and “So Far Away.” Recorded by Forrest Frank and Colin Padalecki at a home studio in Malibu, Pacifico is a sunny pop album arriving just in time for the summer. LP pressed on clear vinyl.
2022 release. Otherness is the first album in over a decade from the group Rolling Stone declared "put Canadian post-hardcore on the map." Five guys playing aggressive rock grew to a hockey-arena headlining phenomenon while pushing and pulling between spirited guitar leads, melodic might, and emotional weight. The guys never sacrificed the punk soul summoned in beat-up vans and basement shows. Blending their classic sound with new and forward-thinking textures, they produced Otherness themselves. Jonah Falco of Fucked Up mixed.
Low Spirit, recorded in collaboration with the Rolling Hill Band, finds Jack M. Senff at his folkiest & most optimistic yet. While the record dives into the deepest pits of American disillusionment, touching on police brutality and imperialism, a layer of hope remains. The album blends together seamlessly, but beneath each track is a wayward feeling pulled from worldly uncertainty. Low Spirit is intended to feel like a sonic & thematic odyssey that trawls the depths and tries to figure it out.
Namir Blade will have a new release called Metropolis on 6/24 via Mello Music Group. Namir Blade was recently featured in the NBA2k22 game. Also named #1 Hiphop artist by Nashville Scene Weekly Paper. Namir wrote the NPR Nashville Affiliate WXNP theme song. There is production featured on Joell Ortiz (Slaughterhouse) album with CyHi the Prynce.
"El Alimento (translation: the nutrient) is the monumental second album from Cimafunk, the Cuban medical-student-turned-Latin-funk-star who crash-landed onto the music scene with his debut album Terapia in 2017 and an electric live show that been compared to that of James Brown. The sonically dynamic collection masterfully blends Afro-Cuban sounds and rhythms with global funk, hip hop and soul—resulting in a progressive, head-bopping celebration of black music’s power to eclipse borders and cross-pollinate across cultures. Written and recorded over the last year, the album served as an alimento for the soul, a motivation to persevere through the pandemic, as Cimafunk spent countless hours studying decades of musical influences to help understand who he is musically and culturally, and thus, where he wanted this album to take him.
As innovative funk forefather George Clinton (Parliament-Funkadelic), who sings alongside Cimafunk on the opening track "Funk Aspirin," says: “Cimafunk takes it back there while keeping it in the now. It’s what we do, always reinventing the Funk to keep it fresh.”
The 13-track album was co-produced by Cimafunk and Grammy Award-winning producer Jack Splash (Kendrick Lamar, Alicia Keys, John Legend, Goodie Mob, Valerie June, Tank & the Bangas). El Alimento also includes collaborations with US hip hop stars Lupe Fiasco and CeeLo Green; Jamaican dancehall singer Stylo G and Afro-Colombian hip hop group ChocQuibTown; as well as Cuban musicians Chucho Valdes, an AfroCuban jazz icon and '70s funk pioneer, Los Papines, a Cuban Rumba group whose career spans six decades, and AfroCuban rapper and Reggaetonero El Micha."
Kanye West delivers a Deluxe Edition of the record-shattering Donda, featuring 4 bonus tracks plus fan-favorite verses from Andre 3k, Kid Cudi and more. This release, from one of “the most influential pop stars of the 21st century,” was his 10th #1 album on the Billboard 200, racking up over 1 billion streams in the first 10 days. Originally previewed at 3 historic livestream events, the global phenomenon topped charts in 11 countries and set an Apple Music record of #1s in 152 countries. 4 LP.
From the academy of deep soul and no ego, Reverend Baron delivers visions of liquor store East LA, the off-the-freeway dry mirage of slow motion graffiti and lonely seagulls. A nylon stringed zen fog with themes of woozy love, layered dimensions of nostalgia and glazed neighborhood tales that roll in with a natural ease. After notching a permanent status in the skateboarding orbit as Danny Garcia, he transferred his effortless style, dedication and authenticity into music. Practicing a philosophy of demystifying the process and doing it yourself, he has become a proficient multi-instrumentalist, engineer, and producer of his own and other artist's music. All streams of curiosity converge into the river. An enigma, Reverend Baron emerges from the proverbial gray overpass with no sense of urgency. He takes a sharp gaze at his surroundings and processes them through a factory of depth and gentle swag to yield a sound that sits as easy as fallen molasses on the bodega shelf. The songs are an unassuming invitation to either walk through the doorway or lean on the wall outside, either way something beautiful and rare.
Throughout his six-decade long career, Dr. John embodied a near-mythic multitude of musical identities: Global Ambassador of New Orleans funk and jazz and R&B, visionary bluesman, rock and roll innovator, and a massively revered high priest of psychedelic voodoo.
Things Happen That Way, his final studio album, adds another dimension to his musicality: a lifelong affinity for country & western. It's a glorious farewell from one of the most essential figures in music history.
The “Platinum Blonde Edition” is the definitive version of Marina and the Diamonds’ acclaimed sophomore album Electra Heart. This limited edition set includes the rare tracks “EVOL” and “Electra Heart” available on vinyl for the first time ever. Also included are the massive TikTok hits “Bubblegum Bitch” and “Primadonna” as well as fan favorites “How To Be a Heartbreaker” and “Teen Idle”. Pressed on two magenta-colored discs, housed in a gatefold sleeve, and wrapped in an iridescent slip case this is a must- have collector’s item for Marina fans old and new.
Omnium Gatherum’s sprawling 16 tracks of gonzoid prog jams, dizzying pop nuggets, rubber-legged hip-hop odysseys and passages of pure thrash-metal abandon offer plenty for Gizzard fans and neophytes alike to chew on. Typically, Gizzard albums pursue a single theme or style – but part of the thrill of O.G. for the group was the opportunity to present new ideas without committing the entire album to just one. It’s both the perfect entry point for newcomers, and a solid treat for the faithful. Indie Exclusive “Lucky Dip” Random Color 2 LP.
“The whole point of this record was to share every emotion that I feel,” says The Soft Moon’s Luis Vasquez.“No two songs are the same. It’s about existing in the world as a human being and experiencing many emotions and experiences throughout life.”
And so hence the title Exister, a record rooted in the ecstatic joys and crippling lows that life can throw up and how just hanging on and existing is sometimes all we have. “Exister is my way of saying ‘I’m here, deal with it.’” Vasquez says.
Sonically, this expression is a vast, expansive and potent one. The opening ‘Sad Song’, which unfurls with a dense brooding atmosphere, Vasquez describes as almost a ballad, while tracks such as ‘The Pit’ capture the opposite end of the musical spectrum, exploding as a thundering piece of industrial techno complete with gut-churning levels of bass. ‘Monster’ - a song that follows a human metamorphosis into an unrecognizable and destructive being - seamlessly combines a deeply melodic, almost electro pop, vocal hook with a slow build atmospherics to create something equally beautiful and unsettling. ‘Become the Lies’ explores the devastating consequences of being lied to by your own family and is a post-punk stomper, merging charging basslines, pummelling drums and snaking guitars, all of which combine explosively. Elsewhere the album runs the gauntlet of everything from ambient to dark wave - features ferocious guest contributions from fish narcand Special Interest’s Alli Logoton ‘Him’ and ‘Unforgiven’ - all while retaining that distinct tone that unmistakably The Soft Moon.
Divino Niño are no strangers to bold reinvention. When Camilo Medina and Javier Forero—friends whose bond dates back to their childhoods in Bogotá, Colombia—moved to Chicago and recruited guitarist Guillermo Rodriguez to form a band, they were psych-pop outsiders playing live shows with a drum machine. With the addition of drummer Pierce Codina, their 2019 breakthrough and debut LP for Winspear, Foam, solidified their place as local indie rock mainstays. Soon after, multi-instrumentalist Justin Vittori joined to round out their lineup. Once again, with their masterful, unpredictable, and eminently danceable new album, the band has done something radical: They totally upended the way they write songs, eschewing practice room jams for unrelentingly collaborative beats, implied grooves for immersive dance floor heaters, and mellow vibes for frenetic doses of reggaeton, electropop, and trap on their most adventurous and ambitious work to date. Welcome to the Last Spa on Earth.
Written and recorded over the past two years, Last Spa on Earth deals in release and catharsis: confronting your darkest moments and coming out better for it. The album artwork, done by Medina, a longstanding visual artist, depicts a dreamy, yet graffiti-tagged spa, void of physical bodies so listeners can envision themselves in this unique environment. It represents the yin and yang approach Divino Niño took while creating the album: the serenity of the spa and the chaos of the party. Ultimately, the band’s desire is to provide healing in the same way one feels after sweating, shivering, stretching, and resting at the spa against the backdrop of the world’s darkness. Last Spa on Earth is the cathartic product of Divino Niño letting go of their musical preconceptions, past traumas, and future anxieties to embrace change, chaos, and each other’s contributions both to these songs and to each other.
On Internal Radio, the new album by Eerie Wanda, visual artist and musician Marina Tadic welcomes you to her inner world. Guided by intuition, Tadic’s songs use haunting, ethereal space, growing whole universes from the seeds of ideas. Internal Radio documents Tadic becoming the artist she wants to be, working through some things, and even exorcizing a few demons. The result is the most realized Eerie Wanda album yet, building on the project’s guitar pop past for a more experimental, other-worldly, serious grown-up affair that ventures into sensitive, emotional territory.
The announcement of Irish singer/songwriter Dermot Kennedy's sophomore album ‘Sonder’ has been anticipated by fans and critics alike since the global success of his million-selling #1 debut album ‘Without Fear.’ The title ‘Sonder’ defined as “the realization that each random passerby is living a life as vivid and complex as your own," is reflected in a body of work that will have fans enthralled from start to finish. Indie Exclusive Black LP with alternate cover art.
Double LP on yellow & black marble color vinyl in same packaging as the standard version. Side D is an etching. Full album download included. Ltd Edition. Indie Only.
The never-ending psychedelic web of Kurt Wagner's Lambchop continues to unravel on September 30th with a new album titled The Bible.
The story of The Bible begins with Wagner up in the middle of the night during the first year of the plague, watching his new friend from Minneapolis, Andrew Broder, play a Wurlitzer on Instagram Live. Broder was one in a group of Minneapolis musicians Wagner had met prior to the pandemic through mutual friend Justin Vernon (Bon Iver). After watching the livestream, he called Broder up. “Dude, I’ll get you in a studio,” he says, “you just go in there for like three or four hours and do your thing.” Broder sent him back twelve 20 minute-long pieces. And then Wagner found himself in Minneapolis, in the sweltering summer of 2021, in a decommissioned paint factory turned practice space. Wagner would find an immediate musical spark with Broder & his musical partner Ryan Olson (Gayngs, contributor to Taylor Swift's Evermore). Olson contributes greatly to the album, both with arrangements & production. “Ryan and Andrew, they’re like two sides of my personality,” Wagner says. “And if you put them together as a team, they represent me.” Good thing, because this would be the first time Wagner let somebody else—people who weren’t even from Nashville—produce a Lambchop record.
The music on The Bible is more unpredictable than it’s ever been on a Lambchop record. Jazz careening into country, into disco, into funk, and back to country. All tied together with Wagner’s own voice, born from a perspective on his own life inspired by taking care of his father at the end of his life. The sounds all jumbled together with snatches of observations, words torn from the headlines in Minneapolis—bumper stickers on the freeway, or graffiti from outside that decommissioned paint factory. Through the weeks, musicians (local & non-local) would come & go, putting their own thumbprints on this bible. Perhaps most strikingly, contributions from two different vocal choirs (Bells of the Lakes & Lutheran Bells) & gorgeous string arrangements courtesy of yMusic co-founder C.J. Camerieri (who has also arranged strings for Sufjan Stevens, Antony & the Johnsons & The National).
PIXIES / DOGGEREL - VINYL LP - The iconic Pixies forged an influential path for alt-rock during their first era, while their post 2004 reunion has seen them alchemise more sophisticated dark arts - a return which has them add another three UK Top 10 albums to the three they achieved on their first run. Now as fired up as ever before, Pixies will release their eighth studio album 'Doggerel' via BMG, including lead single 'There's a Moon On'. 'Doggerel' is a mature yet visceral record of gruesome folk, ballroom pop and brutal rock, haunted by the ghosts of affairs and indulgences, driven wild by cosmic forces and envisioning digital afterlives where no God has provided one. And all the while, right there on the news, another distant storm approaches.
The vinyl artwork for Metric’s new album, Formentera, includes a motto that sums up the past few years: “This Is What Happened.” It’s an understatement that manages to say everything. This is what happened: pandemic, politics, social unrest, war. This is what happened: a band at the peak of its creative power deciphering the turbulence surrounding us, and blazing a way through it. This is what happened: nine new songs that capture everything essential about Metric —modular synthesis, muscular guitars, locked-in rhythm and shimmering vocals from Emily Haines.
Even real places become imaginary when they are so far out of reach. Named for an idyllic island near Ibiza off the coast of Spain, Formentera is a place that, for Metric, only existed on a page in a “dream destinations” travel book that lay open on a desk in the new recording studio that guitarist Jimmy Shaw built in 2020, in a rural hamlet north of Toronto. This is the setting where the band’s eighth album took shape. Shaw brought on Synthetica collaborator Liam O’Neil as well as longtime friend Gus van Go (The Stills) to co-engineer and co-produce with him. When the border opened, Metric bassist Joshua Winstead and drummer Joules Scott Key came in from the U.S to record, adding live energy and sonic depth to complete the Metric sound.
The result is a conceptual arc that progresses from tension and turmoil to dance-floor abandon, beginning with the edgy ten-minute album opener “Doomscroller,” and progressing through a color wheel of emotions, from determined perseverance on “What Feels Like Eternity” to self-emancipation in full orchestral bloom on the title track as Haines poses the question, “Why not just let go?” There’s a sense of resolution in the very matter-of-fact, deceptively catchy “False Dichotomy,” and the album ends on a melancholy high with “Paths in the Sky,” a love song to lifelong friendship, a thematic companion track to “All Comes Crashing,” an end-of-days banger and the first single.
“This is what we’re all thinking about,” Haines says. “So let’s address it, let’s have this whole expansive emotional experience that can feel collective instead of all going through it alone.”
Formentera is available on standard CD, and a low-priced indie exclusive CD on 7/8. The standard black vinyl, and Indie Exclusive Sky Blue vinyl will be available on 9/30. All formats are available for pre-order today from your local record store.
Shygirl is a multidisciplinary artist from the East London club scene. She has finished her first major body of work, her debut album entitled, Nymph. Written and produced by Shygirl, alongside long-term collaborator Sega Bodega, it features additional production by Mura Masa, Bloodpop, Danny L Harle, and Noah Goldstein among others. The 12-track album is a stunningly innovative and diverse collection of songs exploring themes of friendship, community, escapism, love, and loss. Indie Exclusive Translucent Blue LP.
It could only be called alchemy, the transformative magic that happens during the Yeah Yeah Yeahs’ most tuned-in moments in the studio, when their unique chemistry sparks opens a portal, and out comes a song like “Maps” or “Zero” or the latest addition to their canon, “Spitting off the Edge of the World" (feat. Perfume Genius) — an epic shot-to-the-heart of pure YYYs beauty and power.
A thunderstorm of a return is what the legendary trio has in store for us on Cool It Down, their fifth studio album and their first since 2013’s Mosquito. The eight-track collection, bound to be a landmark in their catalog, is an expert distillation of their best gifts that impels you to move, and cry, and listen closely.
21-year-old singer-songwriter-producer Dafna is the whole package. From age 4 she trained in classical piano and by 11 was writing and singing her own songs. At 17 she added recording and production skills to her tool belt and forged ahead on her creative journey with sharp instincts, eclectic taste, and new found self-sufficiency.
With her first single release in 2019, "if you're a dove," Dafna's signature hypnotic blend of folk and minimalist electronic pop blossomed.
Less than three years later, she's already independently released two albums and an EP, and reached 120k+ monthly Spotify listeners, all while studying Electrical and Computer engineering at the University of Colorado, Boulder.
On her brand new studio album, When I Was With You, Dafna does a deep dive into the different versions of herself and other people in her life. "It’s about the journey of trying to figure out who you are after losing someone close (whether that’s losing them to death or them simply not being in your life) and learning how to navigate life without them."
On dear amelia, renforshort narrates an up-close and thrillingly honest journey through the darkest parts of her psyche. Her debut album spans twelve tracks and includes recent songs “moshpit” and “we’ll make this ok” featuring Travis Barker. Indie Exclusive Clear LP.
It’s impossible to describe Action Bronson in a way he hasn’t already thought of. First and foremost though, Action Bronson is a principled MC, a Queens legend respected for his idiosyncratic pen and vivid raps, now a decade into his career and still deepening his skillset. “TRUST WHEN I SAY IT AIN’T SAFE FOR ANY OF THESE ANIMALS THE ANCIENT APEX PREDATOR IS BACK ON THE PROWL.” – ACTION BRONSON
Created as a celebration of Prine’s life and career, Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2 features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile, Tyler Childers, Iris DeMent, Emmylou Harris, Jason Isbell, Valerie June, Margo Price, Bonnie Raitt, Nathaniel Rateliff, Amanda Shires, Sturgill Simpson and John Paul White. Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
Released to widespread acclaim, NPR Music praises, “aside from being one of the greatest songwriters we’ve ever had, he was also an amazing mentor to so many artists...his spirit really comes through,” while American Songwriter declares, “Those who fail to be affected by the effort involved may want to check their pulse to assure that there’s still a heart within them that’s beating at full force” and No Depression proclaims, “Broken Hearts and Dirty Windows, Vol. 2 ensures that that remarkable gift and his influence continue to live on.”
On the honey shores of Cape Cod in a beach shack, Courtney Marie Andrews found self-love and her voice. Every morning, she’d walk 6-8 miles around the back trails of an island and meditate on her life, perusing old memories and patterns like browsing a used bookshop. That summer of introspection led her to a joyous sense of beginnings and ends. When she let love for herself in, she therein let the outside love in, too—the summer feeling, the swaying cypress, the full moon, and the possibility of healthy love. This phase came only right after one of her darkest, though, where being alone with oneself was the most terrifying thing you could do. After more than a decade on the road, the Phoenix-born songwriter, poet, and painter finally had the space to process all the highs and lows of a life of constants. She was finally ready to make a record of triumph, while not completely forgetting the years that made her.
“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.” With the help of collaborators such as Mike Patton (vocals), Jennifer Charles (vocals) and Kid Koala (turntables), Merriweather serves as your personal guide to the sensual side of life, painting a satirical, darkly funny portrait of love and sex with left-field hip-hop and instrumentals as only he can do.
Grammy-nominated LAMB OF GOD follows their 2020 No. 1 self-titled Hard Rock Album with their 9th studio album, Omens. Produced by longtime collaborator Josh Wilbur (Korn, Megadeath), Omens is also Lamb Of God's most diverse affair. Densely muscular with a pessimistic eye toward inner struggles and global affairs alike, Omens is a furious entry in the Lamb Of God catalog, perhaps their angriest album yet. "The world is crazy and keeps changing. Omens is a reaction to the state of the world,” explains vocalist D. Randall Blythe. "It’s a very pissed-off record. The New Wave of American Heavy Metal architects will support the new album with a massive U.S. headlining tour this fall.
Bonny Light Horseman’s self-titled debut was a folk masterclass, reimagining centuries-old standards with effortless grace and wonder. Those Grammy-nominated, list-topping recordings not only suggested renewed possibilities for aging songbooks but also marked the arrival of a trio fully capable of reorienting the wider folk landscape. Still, if it felt at all like the work of some short-lived supergroup or a one-off diversion (it never was), Rolling Golden Holy rebuffs the notion with preternatural beauty and charm, and imagination.These songs, all originals, follow the paths of the traditional tunes the band cherishes to new frontiers, the sounds and situations of history given the gravity and shape of now. This is a band working at the edge of modern folk.
After the release of their debut, Anaïs Mitchell, Josh Kaufman, and Eric D. Johnson began discussing their next steps, loosely planning on writing and recording stints. Those sessions were delayed for all the unpredictable but now-familiar reasons until the Spring of 2021, when the trio reconvened with their families in tow in upstate New York. Their chemistry remained intact. Johnson’s wife Annie had listened to him work with dozens of collaborators over the decades, but, listening in from one room over, she noted he’d never seemed so at ease and productive as he was with Kaufman and Mitchell in Woodstock. They were perfecting “California,” a timely and incorruptible classic about moving on in search of something else, something more. These sessions were a series of “yes, and” encounters, each one encouraging the others to take an idea and run with it further to the new safety net they’ve built together, for one another.
These songs continually suggest and embody an unspoken continuum between traditional and modern folk. Mitchell finds self-sustaining adoration in steamy backseats, nighttime visions, and seasonal storms during “Summer Dream,” crisscrossing generational symbols to tie past, present, and future into a Gordian knot of devotion. Johnson reaches back to 19th-century wartime on “Someone to Weep for Me” to empathize with someone else descended from “a long line of nobodies,” just trying to live long enough to feel like he’s mattered to anyone at all, a notion that knows neither age nor border. Johnson and Mitchell trade lines on “Exile,” their luminous response to another of humanity’s eternal conundrums—how to revel in relationships that we know will one day leave us lonely. Love and loss, death and fear: the songs may be different, but the emotional sources remain.
After much enthusiasm that helped foster the band’s self-titled 2020 EP, My Kid Brother are branching out themselves. MAD HAPPY WEIRD SAD, recorded with producer Eric Palmquist (Thrice, Bad Suns, Mutemath), builds on their EP’s polished, hooky rock with heavier riffs ("Roots") and thicker grooves ("High Society"), colorful and quirky arrangements, lyrics that span stalker tales to unfiltered love songs, and choruses that punch with a newfound intensity ("Shoulders").
Magnetically energetic and eternally hopeful, Dayglow (the project of Austin, TX based Sloan Struble) excels in creating catchy, carefully crafted, effervescent indie pop. His home-recorded 2018 debut album Fuzzybrain featured the Platinum Certified single “Can I Call You Tonight?”, which went on to be hailed as 2020’s biggest independent alternative hit. Following up with his sophomore album Harmony House in 2021, Dayglow generated a mountain of indie buzz and critical acclaim anchored by lead single "Close To You". Now, after racking up over a billion streams and selling out headline tours around the world, Dayglow returns with his third album People In Motion. Fun and colorful, People In Motion meditates on the ideas of commitment, inner peace, and movement, while inviting the listener to the dance floor to leave the chaos and noise of our current culture behind.
Nearly 10 years into his career, Irish singer-songwriter Eoin French, better known as Talos, has come a long way since his 2013 debut album, Wild Alee, which was nominated for a the Choice Music Prize at the time and found numerous screen placements on programs such as Prodigal Son and Degrassi: Next Class. Meanwhile, his 2019 follow-up LP Far Out Dust earned attention from CBS Saturday and even got a co-sign from K-pop kings BTS. Now, Talos is preparing to release his most stunning album to date, Dear Chaos. A portrait of destruction, loss, and renewal, the gorgeously atmospheric Dear Chaos features guest vocals from Lisa Hanningan and was partially inspired by Talos’ time in Eau Claire, Wisconsin, where he met co-producer Brian Joseph (Bon Iver). It was also written and recorded in Castletownshend, Cork, Ireland over a period of two and a half years. Along with Joseph, longtime collaborator Ross Dowling, and Icelandic composer Atli Örvarsson, Talos wrote a “lived-in,” highly visual project that invites the listener to look inward and beyond the scope of what they think they know
NNAMDÏ has never been able to stay in one place. The Chicago multi-instrumentalist and songwriter set a blistering pace in 2020 with his critically acclaimed genre-fusing LP Brat, a pummeling punk follow-up in the EP Black Plight, and Krazy Karl, a frenetic jazz full-length tribute to Looney Tunes composer Carl Stalling. Add in his role as co-owner of local label Sooper Records, releasing the skittering electronic EP Are You Happy, as well as recent tours with Wilco, Sleater-Kinney, and black midi, and it’s an overwhelming schedule. But his latest album, Please Have A Seat, which is out October 7 via Secretly Canadian, is the result of a much-needed pause. Finally slowing down and welcoming a creative and emotional reset led to his most immediate and accessible effort yet.
Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.
Now being released for the first time on vinyl, CD and digital formats, ‘A Very Lonely Solstice’ captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as “me by myself on the longest night of the year... honoring the loneliness of 2020 with a nylon string and some songs new and old.” Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation.
Much of ‘A Very Lonely Solstice’ showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes’ catalog. Selections cover all four of the band’s studio albums, including their 2008 self-titled debut album (“Tiger Mountain Peasant Song”) to 2011’s Helplessness Blues (“Blue Spotted Tail”) and 2017’s Crack-Up (“If You Need To, Keep Time On Me”), all the way to their latest release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks “Wading In Waist-High Water” and “Can I Believe You.” Also featured: a cover of Nina Simone’s “In The Morning” and a rearrangement of the traditional “Silver Dagger.”
Executive produced by Rick Rubin, Imagine Dragons’ Mercury – Acts 1 & 2, the 2-CD deluxe album, will be released on July 1, 2022, on KIDinaKORNER/Interscope Records. Act 1 is out now and includes the hit songs “Follow You,” “Wrecked,” and “Enemy” featuring JID. Act 2 features 18 additional songs including the new single “Bones.”
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
UB40 featuring Ali Campbell & Astro's album, Unprecedented, is the follow-up to 2018's A Real Labour of Love that went to #2 on the U.K. charts. Recorded in studios in London and Jamaica between lockdowns, the album is a collection of songs that Ali & Astro have loved for many years by artists they admire (such as Stevie Wonder and Kris Kristofferson) alongside self-penned tracks inspired by the pandemic and the state of the U.K. at the moment. 2 LP on black vinyl in gatefold jacket.
The original soundtrack to Minions: The Rise of Gru promises another exciting installment in the Minions franchise. Produced by Jack Antonoff and filled to the brim with a star-studded list of artists, you can expect a very funky listening experience. Indie Exclusive Gru Blue 2 LP.
Produced by Shaun Morgan and engineered and mixed by Matt Hyde (Deftones, AFI), their album Si Vis Pacem Para Bellum, (which translates to “If you want peace, prepare for war”) was recorded in Nashville, TN over two months in December 2019 and January 2020. The Deluxe Edition of the album that spawned three #1 Hit Singles at Active Rock Radio has been expanded to include all twenty-one songs recorded during the SVPPB session along with the alternate version of “Wasteland.”
Multi-platinum rock band Shinedown have released their lead single “Planet Zero,” the title track from their newly announced seventh studio album out April 22 on Atlantic Records. Planet Zero serves up an incisive look at the issues at hand: cancel culture run rampant, the corrosive effects of social media on mental health and society, and the increasingly toxic division among those of differing ideologies. Featuring Shinedown’s explosive yet artfully crafted sound and urgent lyrics, single “Planet Zero” rings the alarm on a dystopian warning of the dangerous consequences to come when it all goes too far, and we begin to lose our respect for those with differing opinions and our compassion for one another.
Says Brent, “If we shut each other down and allow ourselves to be divided by the information we consume and the way we talk to each other, we lose our humanity. When you look outside of your phone, you’ll see there are so many people doing good things and trying to take care of each other. But we’re starting to see parts of society slip into an unknown. Planet Zero was written for all of us. The fact is that we’re all here on this planet no matter what, so it’s time to actually move forward together with empathy, perseverance and strength. With that said….welcome to PLANET ZERO.”
Over the last two decades, Shinedown have cemented their status as one of the most vital and forward-thinking powerhouses in modern rock.Their most ambitious and masterfully realized work to date, Planet Zerois a high-concept, ultra-vivid, viscerally charged saga. A critical yet optimistic look at the fractures and frays of a society that has undergone many challenges in the last few years, the album is part social commentary and part in-depth exploration of the human psyche. Produced by Shinedown’s Eric Bass (who also produced the band’s 2018 acclaimed album ATTENTION ATTENTION,) and recorded at Bass’ newly built Big Animal Studio in South Carolina, Planet Zero matches its immersive world-building and takedown of authoritarianism with a deliberately unvarnished sound, and the album is spliced with interludes featuring Cyren, an insidious and unsettling robot character that appears throughout the Planet Zero journey. While a raw ferocity fuels much of Planet Zero on tracks like “The Saints of Violence and Innuendo,” “No Sleep Tonight,” and “America Burning,” there is also hope, triumph, and reminders that we all need one another on songs like “Daylight,” “Dysfunctional You,” and “A Symptom of Being Human.” After all, it is the band’s impassioned striving for unity that has long been at the heart of their creative output and deeply informed the making of Planet Zero.Not only a driving force for their songwriting, their humanitarian outlook led Shinedown to be one of the first artists to fundraise for non-profit humanitarian aid organization Direct Relief in the early days of the COVID-19 pandemic, raising more than $400,000 with their “Atlas Falls” relief effort.
Before Chester Bennington sang, screamed, and serenaded audiences of millions throughout his storied career in Linkin Park and a host of other projects, the frontman cut his teeth from 1993 to 1998 in his first proper band: Grey Daze. Working with producer Esjay Jones at LA’s iconic Sunset Sound Studios, the band really focused on being true to the group's original sound and all their 90s influences. “The Phoenix” marks the creative completion of their mission to complete Chester’s dream. Play it loud!
Limited 10" vinyl pressing. Housed in dark petrol blue sleeve with grain embossed finish. Title and crucifix rendered in gold foil. Seven Psalms features seven spoken word pieces by Nick Cave set to music in collaboration with Warren Ellis.
Vinyl LP pressing. 2022 release, the fourth studio album by singer/songwriter, Paolo Nutini. It's a 70-minute epic that spans the distance from classic rock to post-punk to hypnotic Krautrock, in the process proving it's value as his deepest, most varied, most accomplished, and ultimately most rewarding set so far. The insistent Motorik rhythms of new single 'Lose It' brings shades of early '70s German bands like Can and Neu!, and are a product of Paolo writing increasingly on bass guitar. At the other end of the spectrum, 'Through The Echoes' is a timeless classic in the lineage of Ben E. King and Otis Redding, with Nutini's vocal delivery reminding us why he got snapped up by Atlantic in the first place.'Last Night In The Bittersweet' was produced by Paolo Nutini alongside Dani Castelar and Gavin Fitzjohn. It was written by Paolo, with some select co-write contributions from members of his band.
Coming out on July 1, Jazz Codes is Moor Mother's second and latest album for Anti- and a companion to her celebrated 2021 release Black Encyclopedia of the Air. Jazz Codes uses free jazz as a starting point but the collection continues the recent turn in Moor Mother's multifaceted catalog toward more melody, more singing voices, more choruses, more complexity. In it's warm, densely layered course through jazz, blues, soul, hip-hop, and other Black classical traditions, Jazz Codes sets the ear blissfully adrift and unhitches the mind from habit. Through her work, Ayewa illuminates the principles of her multidisciplinary collaborative practice Black Quantum Futurism, a theoretical framework for perceiving and adjusting reality through art, writing, music, and performance, informed by historical Black ontologies.The songwriter, composer, vocalist, poet, and educator Camae Ayewa spent years organizing and performing in Philadelphia's underground music community before moving to Los Angeles to teach composition at the University of Southern California's Thornton School of Music. She released her debut album as Moor Mother, Fetish Bones, in 2016, and has since put out an abundance of acclaimed music, both as a solo artist and in collaboration with other musicians who share her drive to dig up the untold. She has performed and recorded with the free jazz groups Irreversible Entanglements and the Art Ensemble of Chicago, and made records with billy woods, Mental Jewelry, and YATTA.
The roots of Naima Bock's music are far reaching. Born in Glastonbury to a Brazilian father and a Greek mother, Naima spent her early childhood in Brazil before eventually returning to England and various homes in South-East London. This heritage combines with more recent pursuits in Naima's music. From the Brazilian standards that the family listened to while driving to the beach, to the European folk traditions she tapped into on her own, and the pursuits that interest her today - studies in archaeology, work as a gardener, and walking the world's great trails - Naima's music draws from family, the earth and music handed down through generations. Naima's debut album Giant Palm is undoubtedly infused with the Brazilian music of her youth and regular family visits. She found inspiration in "the percussion, the melodies, chords - and particularly the poetic juxtaposition of tragedy and beauty held within the lyrics." By the age of 15 Naima was embedded in the music scene of South-East London, eventually forming Goat Girl with school friends and touring the world. After six years playing bass in Goat Girl, Naima left the band to try something new. She set up a gardening company and started a degree at University College London in archeology because, as she jokes, "I liked being near the ground." During this time she wrote music, played guitar, learned violin, worked with ever-shifting South-London collective Broadside Hacks, and met producer and arranger Joel Burton through Memorials of Distinction label head Josh Cohen. Joel's burgeoning interest in Western classical music, global folk music, experience in large scale arrangement and orchestration informed the collaborative process that eventually culminated in Giant Palm. Recorded with the help of over 30 musicians (including Josh Cohen on synth/electronics) by Dan Carey of Speedy Wunderground at his studio space in Streatham, South-East London, and engineered by Syd Kemp, the songs on Giant Palm represent a snapshot of a specific feeling, of brief moments in Naima's life that make up a larger whole. The expansive yet delicate arrangements highlight Naima's love for the collectivist values of traditional folk music, in which songs belong to everyone, and singing can take on countless forms without the need to exactly replicate something. "All the other representations that I'd had of singing felt so unattainable" she recalls. Giant Palm finds Naima bucking these expectations to let her unique voice and sense of communal creativity flourish.
Thrash should leave you breathless, busted-up, and maybe even a little drunk (in a cutoff denim vest adorned with barely legible patches). Since 2001, Municipal Waste have uncompromisingly stuck to their guns as hard-partying and even harder-hitting torchbearers of 21st century thrash metal. The Richmond, VA quintet have transformed from a cult favorite into metal mainstays for a generation. Along the way, Decibel touted 2007's The Art of Partying in it's coveted "Hall of Fame" and asserted it "revved up interest in thrash and inspired a fresh wave of youthful new bands." Metal Hammer christened The Art of Partying one of "The 50 Greatest Thrash Metal Albums Ever," while Loudwire pegged The Art of Partying as "The Best Thrash Album of 2007" and Hazardous Mutation as "The Best Thrash Album of 2005." The guys have sold out countless shows on multiple continents and piled up tens of millions of streams in the process. 2017's Slime and Punishment bowed in the Top 3 of the Billboard Heatseekers Albums Chart, and The Last Rager EP only accelerated their momentum in 2019. However, Municipal Waste maintain course as vicious and vital as ever on 2022's Electrified Brain. Recorded in Philadelphia with producer Arthur Rizk [Power Trip, Code Orange], they achieved "a thicker and heavier sound" than before. The debut single "Grave Dive" hinges on a downright mean palm-muted riff as a percussive onslaught commences. It builds towards a gang chant call-and-response before a lead rips."It's in the vein of songs like 'Headbanger Face Rip' and 'Wave of Death'," vocalist Tony Foresta notes. "It's an inspirational song for our fans to cause bodily harm to themselves, but in a fun and healthy way, of course.""High Speed Steel" practically splits asphalt with it's jagged thrashing. Elsewhere, the title track "Electrified Brain" charges forward on a breakneck riff as a solo wails underneath the vocal snarl. "Crank The Heat" trudges over a thick doomy groove into menacing verses.In the end, Electrified Brain will give you everything you'd want from a Municipal Waste record or heavy metal record, period. CD long box includes cd, sticker and pin. Limited to 1000
I've been playing since I was 11 years old," says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, "I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how." While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. "I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in." That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. "We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation," Charlie says, further musing, "Musical conversations cancel out complications." Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: "Yellow Moon," "The Darker It Gets" and "I Get Jealous." The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. "The clarinet is the mother of the saxophone," he says. "I started playing clarinet early in life, and this [taught me] the saxophone." Finally, Eighty Nine includes three tracks of Charlie singing. "I always sung, but it wasn't my forte to become a singer," he says. "The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.
Stella makes her Sub Pop debut with the mesmerizing Up and Away, an old-school pop paean to the pangs and raptures of love. From the Greek folk-inflected get-go, we're swept up in Stella's world - and it's quite the captivating place to be. The singer-songwriter joined forces with artist and producer Tom Calvert (aka Redinho), and it was a match made in Athens; the results are heavenly. Tom caught one of Stella's gigs on a visit to the city. He reached out, they started hanging out, and the pair soon clicked creatively. Both mention chemistry when asked about their collaboration and it's clear, from what we hear, they had it in spades. The meld is seamless. Stella's songs have always riffed on American and Greek mid-century pop but Up and Away doubles down on the vintage aesthetic. Tom says he styled the record "as if it was a rare gem from the '60s found in a box of records in Athens," and Stella notes she was ready for a more "deeply Greek touch - it felt comfortable and right, smoothly fusing with the pop." The bouzouki appears on a full five tracks played by Christos Skondras who, she says, "was brilliant at improvising," while Sofia Labropoulou on the kanun "brought an insane amount of dreaminess to the last two songs. Having these amazing musicians play for Up and Away - I couldn't be more grateful."
Founded back in 2017 by guitarists Johannes MÃ¤kinen and Vili Vottonen, the debut album After the Storm was unleashed when the northern winds choked Horizon Ignited's hometown of Kouvola in early 2019. The completely self-published album met very positive feedback and the band has made it's mark since then. Horizon Ignited's diverse class of act - captivating and guitar-driven melodic death metal flavored with catchy metalcore elements among others. Finnish melodic death metal band, Horizon Ignited, have officially joined Nuclear Blast Records. Over the past thirty frantic years, this passion-raising heavy metal sub-genre has undeniably evolved and changed, but some complaints have also been heard in the dim alleys: where are all the magnificent entrants? Well, as so many times before, kindly turn your face towards Finland - still the most metallic country in the world - and meet melodic death metal's hottest newcomers... Horizon Ignited has arrived and this relentless sextet is here to stay.
Hailed as one of the metal world's most devastating, thrilling experiences, CONJURER are a band never content to rest. A triumphant return from CONJURER following their world-renowned 2018 debut Mire, PÃ¡thos is a band flexing their creative muscles, deepening their approach and thought, and expanding their sound. Having returned from a sold-out headlining European tour with CELESTE, CONJURER embark on a ferocious new chapter with this ground-breaking offering.
Digging Roots’ new album embraces themes from residential schools to reclamation, climate change to baamaadziwin (the good life). Co-produced with Hill Kourkoutis, Zhawenim (which means to love unconditionally in Anishinaabemowin) is a journey that travels oceans, lands and hearts raising resistance through pure, powerful joy. As a collection, Zhawenim expresses the revolutionary act of giving and receiving love. The album looks beyond to a future that waits to be claimed by the next generation.
Here is a collection of recordings by Kathy Yaeji Lee, originally released as a pair of EPs on March 31st and November 3rd of 2017, remastered for a belated vinyl edition for the first time. A lot has been said and repeated about the interiority of this club music - how the joyful tremor of the "Raingurl" refrain holds hands with such soft and doubtful verses. How special it is that house music so of New York can contain storytelling cultivated so far away. That repetition is born of people all over the world going out, and staying in, with this music as a compass; songs that define so many late night hangs for crews of friends, singalongs in DJ booths, contemplative 5am walks home from the club. What can get lost in that repetition, in the shifting canonization of these recordings as symbols of any one scene or moment, is what was behind the pair of round glasses reflecting so tirelessly outwards. Yaeji, an exceptional friend only at the very beginning of finding her path as a cross-disciplinary artist and collaborator. Yaeji wrote this music while going out nearly every night of the week to DJ and support her own NYC community of friends at their turns behind the decks. These tracks originated from explorations in dancefloor anonymity, growing from seeds planted by sharing her first musical experiments online. "'New York '93' was the first song I ever put out as Yaeji. It first came out on Soundcloud. I remember then every single listen was so surprising and important to me. It made me really curious to know who these people on the internet who find my music interesting are." Yaeji tracks quickly became a secret language of Brooklyn dance floors. The original demo for "Raingurl", a lovingly wonked-out version of it's successor, was passed around usb sticks like a free-for-all friendship bracelet. For Kathy, hearing these tracks played out in the club brought up mixed feelings, "I always felt a little embarrassed. I worried that the tracks weren't dancey enough." I remember Kathy's DJ set at a local summertime rave called Fourth World, a near-sunrise outdoor feast of nectarous house melodies and slippery breaks woven gracefully between pummeling techno kicks. I remember looking around at hundreds of faces staring at Kathy with what my mom calls "moon eyes." Those eyes you make at someone when their sheer loveliness can break down your ego and submit you cozily into your surroundings."Someone told me - 'you're someone we're down to be rooting for.' That made me realize why they'd say that. I can see how what I'm doing is something that takes courage for a lot of people that have grown up as an outsider like myself." There's a lot of processing that artists take on when work that's old for them is continuously new for others; things start to lose their place in time. Music is an archive, yet can so easily feel unfixed. With this record, these 10 recordings find a warm and loving home."This record is a symbolic reclaiming. A way to celebrate something that I wasn't able to fully appreciate in the moment.I don't think I would want to do anything else but make music-now I realize that."
In between steadily touring as a hired gun for psych-soul LA staple, Chicano Batman, Nicky Egan has been stealthily plugging away with her New York based producer and Dap-Kings guitarist Joe Crispiano to complete her forthcoming LP "This Life". Driven by honest confessional songwriting and influenced by your favorite classic soul sounds, the record features a who's who of NY's most sought after players including Homer Steinweiss, Victor Axelrod, Brian Wolfe & Elizabeth Pupo-Walker, to name a few and will be released via Transistor Sound Records, headed up in part by Colemine Record's soulster, Kelly Finnigan. Flood Magazine premiered Egan's debut 7" single, 'Back To You', a fresh take on that classic 70's soul cruiser sound, with B side "Run Run" in March. With a few more singles to follow, including the heavy hitting, fuzz guitar driven opening track, 'Changes', the full LP is slated for release late summer/early fall. 'This Life' is an album that tells the tale of just that, life's journey. The moments of transience, growth, acceptance, and reflection that we experience throughout our short time here. The 10 song LP will take you on a cinematic ride, headed up by epic fuzz guitar melodies, surrounded by bells, organs & pianos, and guided tightly by Egan's sultry and dynamic vocals.
None brought it better than ARROW. Famous for his hit single “Hot Hot Hot,” the artist was at the center of the beating heart of Soca Music and managed to single handedly bring the unmistakable Calypso rhythm to the mainstream. This 1LP Splatter vinyl offers ten of Arrow’s most recognisable tracks, including: “Hot Hot Hot,” “Gimme Gimme” & “Don’t Touch My Tempo” plus many more.
Paul Anka, the legendary crooner and unofficial Rat Pack member, returns with an all-new album of iconic American standards called Sessions. For this record, the songwriter chose songs by some of his favorite contemporary songwriters including "Angelina," originally written and performed by Bob Dylan. The focus track "It Was A Very Good Year" was written by his friend Ervin Drake and made a household favorite swan song by his close comrade, Frank Sinatra.
Wide Eyed Nowhere is Turin Brakes’ ninth full studio album, a set of new songs emerging 21 years after their seminal debut. It's no easy feat maintaining an optimistic attitude through the turbulence of the years, but the band found their own method down in deepest Tooting to produce this lean, bittersweet collection.
The South London 4-Piece comprising Olly Knights, Gale Paridjanian, Rob Allum and Eddie Myer recorded this new set of songs at Twin Palms - Olly's garden studio - over the summer of 2021, choosing to let time infuse into the music and mature in a way it couldn’t in a pressurised commercial studio setting.
Turin Brakes released Mercury Prize shortlisted the Optimist in March 2001 (achieving gold status in the UK), followed up by 2003’s Ether Song which featured the top 5 hit single "Pain Killer (Summer Rain)". The band has since moved on to rack up seven top 40 singles, seven top 40 albums and over a million record sales worldwide.
Produced by Shaun Morgan and engineered and mixed by Matt Hyde (Deftones, AFI), their album Si Vis Pacem Para Bellum, (which translates to “If you want peace, prepare for war”) was recorded in Nashville, TN over two months in December 2019 and January 2020. The Deluxe Edition of the album that spawned three #1 Hit Singles at Active Rock Radio has been expanded to include all twenty-one songs recorded during the SVPPB session along with the alternate version of “Wasteland.”
Commemorate the series and the sound of the Emmy Award-winning OZARK with the vinyl box set containing the original soundtrack for all four seasons! Composed by Danny Bensi and SaunderJurriaans, the OZARK vinyl box set will be available for pre-order on April 29, 2022, in conjunction with the release of the final installment of Season 4, Part B on Netflix.LP 1: Ozark Seasons 1 & 2. LP 2: Ozark Seasons 3 & 4.
Anticipated new album from platinum-selling indie greats Death Cab for Cutie coming late this summer!
8x GRAMMY® Award-nominated rock band Death Cab for Cutie return today with “Roman Candles,” the first track off their highly-anticipated tenth studio album Asphalt Meadows. The new track from the indie rock veterans – now in their 25th year as a band – arrives with an official lyric video designed by Juliet Bryant (Justin Vernon, Japanese Breakfast, Laura Jane Grace) – watch here.
As with the forthcoming album in its entirety, “Roman Candles” was produced by GRAMMY® Award-winner John Congleton (St. Vincent, Sharon Van Etten, Wallows).
Of the inspiration for the song, the band shares: “‘Roman Candles’ is about the crippling, existential dread that goes hand in hand with living in a nervous city on a dying planet. And that the only way to be in the moment is to let it all go.” The track was born from co-founder, lead vocalist, and guitarist Benjamin Gibbard’s determination to create something succinct, loud, and strikingly direct. He shares: “The lyrics were cobbled from a couple of different songs dealing with my general sense of anxiety; the feeling that the fabric that weaves a functioning society together was crumbling during the pandemic.”
Tell All Your Friends is the groundbreaking debut album from Long Island’s Taking Back Sunday. Boasting the hit singles “Cute Without The ‘E’ (Cut From The Team),” “Great Romances of the 20th Century” and “You’re So Last Summer,” the album is highly acclaimed and has influenced artists of all sizes and genres over the last 20 years. This 20th Anniversary Edition 2-disc album includes a bonus 10” featuring four previously unreleased demos.
Harmony House, the follow-up to Dayglow's runaway 2018 debut album Fuzzybrain is a finely calibrated, carefully fussed overexpression of encouragement for anyone who needs it. Inspired by the piano-driven rock from the late '70s and early '80s, the album was written, produced, performed, and recorded entirely by Dayglow himself. Featuring danceable lead single "Close To You", effervescent "Balcony" and timeless "Medicine", Harmony House is about coming to terms with change and accepting that it doesn't have to be overwhelming. The standard edition features orange vinyl.
Under the name Dayglow, Texas-based singer, songwriter, and multi-instrumentalist Sloan Struble creates catchy, effervescent, guitar-based indie pop. Growing up in the town of Aledo, Texas, near Fort Worth, Struble began recording music at the age of ten when a friend showed him how to use GarageBand on his computer. The dearth of musical collaborators in Aledo eventually led him to learn multiple instruments, and throughout his teenage years, he recorded music by himself in his bedroom, taking influence from a variety of artists from Phoenix to James Taylor. Bolstered by the catchy single, "Can I Call You Tonight?" his home-recorded 2018 debut album Fuzzybrain went viral, earning him plenty of indie buzz alongside critical acclaim, millions of streams & sold-out shows. The standard edition features hot pink vinyl.
Ultimate Aaliyah is the second and final compilation album by legendary R&B singer Aaliyah. Originally released by Blackground Records in the UK, Australia, and Japan, and only available on CD, the 2005 compilation features three discs of Aaliyah's greatest hits and material from soundtracks and featured work with labelmate Timbaland. This is the first time the compilation is available on vinyl.
Releasing on September 16, Demon Time signals a deeper period of reflection for Mura Masa. From its whispered introduction – “it’s demon time” – to its messy finish, Demon Time is a journey into the unknowns of the night and the quiet revelations you might stumble across along the way. There is a sense throughout of taking guests (and genres) into unfamiliar places and Mura Masa blurring the boundaries of the artist/producer dynamic into something more curatorial.
That’s What Happened 1982-1985: Bootleg Volume 7is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975. He’s touched every inch of pop culture while keeping true to his iconoclastic vision of jazz as amorphous art that’s supposed to bend and flow and mutate to something else. On The Bootleg Series Vol. 7, we get to play in the rubble of what would become yet another period of unprecedented innovation. Beauty resides in evolution. This double LP collects highlights of Bootleg Volume 7 with over 80 minutes of unreleased studio material from 1982 to 1985 on white vinyl. Side men include a multi-generational who’s who of jazz talent from JJ Johnson, Al Foster and John Scofield to Mike Stern, Marcus Miller and Daryl Jones.
The best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that, which is one of many reasons why the group’s new album, Wilderness of Mirrors, feels so aptly named.
Indeed, in the five years since the release of the band’s prior album, Death Song, and the two-plus years spent working on Wilderness of Mirrors, pandemics, political tumult and the ongoing devastation of the environment have provided ample fodder for the Black Angels’ signature sonic approach. If the group’s members were terrified as they honed new music heading into an election year, they realized they didn’t even know how scary things could still get.
So, they looked inward, focusing on both their ongoing creative and musical development as well as their own struggles amid the external chaos. Wilderness of Mirrors hits even more close to home, as the group recorded solely in the friendly confines of Austin for the first time in more than a decade and entrusted co-production duties to its longtime front-of-house engineer, Brett Orrison.
Butcher Brown’s new album Presents: Triple Trey (featuring Tennishu and R4ND4ZZO BIGB4ND) will be released on September 16, 2022. The inspiration for this album comes from Tennishu’s solo album Triple Trey released in May 2019. Shortly after, Tennishu and R4ND4ZZO came up with the idea of performing the album live with Butcher Brown and a big band. The performance received such an enthusiastic response from the audience Butcher Brown decided it must be recorded. So, in August of that same year, the band stepped into Minimum Wage Studios in Richmond and began laying down what would become Butcher Brown Presents: Triple Trey (featuring Tennishu and R4ND4ZZO BIGB4ND). The result is a groundbreaking fusion of rap and big band. There’s nothing like it.
Things are looking up for The Harlem Gospel Travelers, who return here with a new album, a new lineup, and a new lease on life. Produced by Eli Paperboy Reed, LookUp! marks the group’s first full-length release as a trio, as well as their first collection of totally original material, and it couldn’t have come at a more vital moment. The music still draws deeply on the gospel quartet tradition of the ’50s and ’60s, of course, but there’s a distinctly modern edge to the record, an unmistakable reflection of the tumultuous past few years of pandemic anxiety, political chaos, and social unrest. The songs are bold and resilient, facing down doubt and despair with faith and perseverance, and the performances are explosive and ecstatic, fueled by dazzling vocal arrangements punctuated with gritty bursts of guitar and crunchy rhythm breaks.
Born out of a non-profit music education program led by Reed, The Harlem Gospel Travelers—singers Thomas Gatling, George Marage, and Dennis Bailey—released their debut LP, He’s On Time, to rave reviews in 2019, with Pop Matters hailing the album’s “musical transcendence” and AllMusic praising it as “dreamlike and joyous.” The record charted on Billboard, earned the Travelers high profile fans like Elton John (who invited them to appear on his Rocket Hour radio show on Apple Music), and landed them festival slots everywhere from Pilgrimage to Telluride Jazz.
Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, SPARK—the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too?
So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs—so much more immediate and modern than their hazy origins—fit such big-budget reels? “We’d come to the conclusion we weren’t going to be filming Super 8 videos to this stuff anymore,” Julien remembers with a grin. “How about something more hi-fi, cinematic?” When the footage and the tunes linked, Julien and Max knew they had done it, that they’d finally found Whitney’s sound.
SPARK reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What’s more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener “NOTHING REMAINS,” the devastating loss of “TERMINAL,” the sun-streaked renewal of “REAL LOVE”: However surprising it may sound, SPARK is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. SPARK maintains the warmth and ease of Whitney’s early work; these songs glow with the newness of now.
Starcrawler is a rock band for a new generation. With 2 studio albums under their belts, their upward trajectory continues to roll full steam ahead with the release of their new album, She Said. Best known for their explosive live shows, the 5-piece band leans into their own epic vision of a contemporary Hollywood Babylon – morphing into a modern day take on L.A. legends X, with a sprinkle of The Go-Go’s, a smattering of The Distillers, and The Rolling Stones sleaze thrown in for good measure.
Animals 2018 Remix - The iconic 1977 Pink Floyd album has been remixed for the first time by James Guthrie. Animals is a concept album, focusing on the social-political conditions of mid-1970s Britain, and was a change from the style of the band’s earlier work. The album was developed from a collection of unrelated songs into a concept which describes the apparent social and moral decay of society, likening the human condition to that of animals. Taking inspiration from George Orwell’s Animal Farm, the album depicts the different classes of people as animals with pigs being at the top of the social chain, dropping down to the sheep as the mindless herd following what they are told, with dogs as the business bosses getting fat on the money and power they hold over the other. Although it’s been a long time since 1977, the narrative of the album still resonates today as our social and economic situation mirrors that of the time.
Girl Of My Dreams is an up-close look at the moments of heartache, triumph and deeply transformative experiences on FLETCHER's way to self-discovery. The new record expands on the boldly detailed storytelling she’s brought to hits like “Undrunk” and “Bitter.” This time around, FLETCHER reveals her inner world more fully and fearlessly than ever before, embracing the kind of uninhibited honesty that’s freeing for both artist and audience.
The London Suede return with their ninth studio album, Autofiction.
As The London Suede began work on the songs that would become Autofiction, they decided to go back to basics. In a move that recalled their most formative days, Brett Anderson, Mat Osman, Simon Gilbert, Richard Oakes and Neil Codling schlepped to a rehearsal studio in deserted Kings Cross to collect a key, hump their own gear, set up and start playing.
Speaking about Autofiction, Brett Anderson said: "Autofiction is our punk record. No whistles and bells. Just the five of us in a room with all the glitches and fuck-ups revealed; the band themselves exposed in all their primal mess."
First single "She Still Leads Me On" is the track that reconfigured what the album could be. A beautiful song written from Brett to his late mother. As its title suggests, Autofiction is one of Anderson's most personal records yet. Reflecting on the process of writing acclaimed memoirs Coal Black Mornings and Afternoons with the Blinds Drawn helped Brett get a newfound perspective on himself as a performer and singer in the public eye, much of which has bled into the lyricism of Autofiction.
Like many of his favorite songwriters (John Hartford, Lucinda Williams, Jeff Tweedy), Izaak Opatz is an ungulate in life’s winter pasture, chewing on and metabolizing disappointment, heartbreak, and the other tough stuff into enjoyable musical carbohydrates. A compulsive metaphorager (and inveterate wordplayboy), Opatz breaks it all down with enzymes of wry humor, thoughtful simile and close observation - a therapeutic process of narrativizing his own life that, almost as a byproduct, turns out savory nuggets of literate, confessional pop.
Throughout his six-decade long career, Dr. John embodied a near-mythic multitude of musical identities: Global Ambassador of New Orleans funk and jazz and R&B, visionary bluesman, rock and roll innovator, and a massively revered high priest of psychedelic voodoo.
Things Happen That Way, his final studio album, adds another dimension to his musicality: a lifelong affinity for country & western. It's a glorious farewell from one of the most essential figures in music history.
Skid Row are out to reclaim their turf as kings of hard rock and proclaim, “The Gang’s All Here”!
“The Gang’s All Here” is an oath to joy triumphant, bursting with euphoric energy that makes us hunger for more. It is the logical next-generation leap of the band’s trademark sound which stomps out new ground with singer Erik Grönwall (formerly of H.E.A.T, one of the best frontmen of this or any hard rock era) joining the family.
Produced by Nick Raskulinecz, long-time fan and much in-demand producer (Foo Fighters, Rush, Alice In Chains, Halestorm, Evanescence), Skid Row are ablaze. They are re-energized, picking up exactly where they left us wanting more, kicking their sound way up to modern hard rock royalty.
Leonard Cohen’s Hallelujah & Songs from His Albums is the first-ever career-spanning album from songwriter, musician, poet, novelist, and visual artist Leonard Cohen. Comprised of 17 tracks from Cohen’s expansive career, this anthology features an unreleased and unforgettable live performance of “Hallelujah” from the 2008 Glastonbury Festival. The album is inspired by the documentary, Hallelujah: Leonard Cohen a Journey, a Song.
Indie Exclusive Limited Edition Translucent Ruby LP + Handwritten Set List
Our Roots Run Deep, Kodaline’s brand-new, stripped-down, 17-track live album features a cross-section of the group’s most treasured tunes and three illuminating covers. When Kodaline stepped on stage at Dublin’s sold-out 3Olympia Theatre in early 2022, the band felt a deep sense of renewal, of their friendship, their brotherhood, and their musical community. Our Roots Run Deep is a spectacular showcase for the purity of their artistry and the profound musical impact they’ve had on a generation.